“... of the Bible Belt, these stories helped to establish contemporary rape myths by picturing a pure, white, middle or upper-class victim assailed by a poor black who attacked his betters by dirtying their proudest possession – their women. The legacy of this stereotype is still with us. The fascination of the press with the Portuguese character of New Bedford ...”

“... behind the point of intersection, one board is deflected by 30 degrees; the colours are black, white, touches of grey, and the natural colour of the wood. It must be one of the few sculptures in the world every aspect of which – there are essentially eight aspects, each at a point of the compass – presents a view which works and a view which is totally ...”

“... all mean-looking, which consoled me, for I should hate to see a criminal with a noble face. Little white-washed cells, so tragically tidy, but with books in them. In one I found a translation of Dante, and a Shelley. Strange and beautiful it seemed to me that the sorrow of a single Florentine in exile should, hundreds of years afterwards, lighten the sorrow of ...”

“... is also a jumper in, a superb starter. What about the opening of The Hind and the Panther? A Milk white Hind, immortal and unchang’d, Fed on the lawns and in the forest rang’d. Or of Absalom and Achitophel? In pious times, ere priestcraft did begin, Before polygamy was made a sin, When man on many multiplied his kind, Ere one to one was cursedly ...”

“... to the masculine canon was a drawing, a doodle really, by Dorothy, Lady Burlington, the wife of Richard Boyle, Earl of Burlington, a great patron of art and architecture to whom Pope dedicated the last of his Moral Essays. Lady Burlington sketched Pope at a game of cards – perhaps ombre (aptly enough, an Englishing of the Spanish for ‘man’), the game ...”

“... cropped hair and a tight-lipped, sly smile. She sits in front of an empty plate and a glass of white wine, and is wielding what looks like a butter knife. Semyon is mostly bald and has a greying goatee. His eyelids weigh heavy, which makes him look a little angry, or maybe just tired. His cutlery is untouched, and his arms are hidden under the table, as if ...”

“... and spires of the university city flash past, so near and yet so remote. Until the publication of Richard Vinen’s superb history, the best accounts of National Service were fictional: David Lodge’s Ginger, You’re Barmy is a particularly successful evocation of the miseries and absurdities of the conscript’s life.* But Vinen, who was born in 1963, when ...”

“... all the more fiercely protected for that. More controversial was the war cemetery with its rows of white and black crosses: white for those who had died fighting for France, black for the boys who had been taken off in lorries from their classes one day for conscription into Hitler’s armies and had never returned. It was a ...”

“... major presidential candidate has ever had, and is mistrusted even by her natural constituency – white, educated, middle-aged, female registered Democrats – not to mention right-wing evangelical male yahoos in the red states who’ll be goddamned before they vote for some pushy left-wing bitch. In March, Obama had drawn a crowd of ten thousand or so ...”

“... and by 1953 had established a reputation as a biographer. Two volumes on the life of Richard Monckton-Milnes, the late Georgian politician and socialite, were followed by a life of Monckton-Milnes’s son, Lord Crewe. The latter was the quid pro quo for access to the archives and was, Pope-Hennessy admitted, ‘less than inspired’. Its ...”

“... might expect. As well as Slonimsky’s hymn to Castoria, there are Samuel Beckett’s radio plays, Richard Serra’s video art, Maurice Blanchot’s mystery novels and a 1971 promotional disc made by Salvador Dalí for the Crédit Commercial de France. One of UbuWeb’s specialities is the B-sides and rarities overshadowed by an artist’s greatest hits. Want ...”

“... was made from the Quarry Wood wall. Sure enough, another slide showed the boulders chipped bone-white and crushed into a foundation. Growing up in Cults, I felt the presence of this past – walls, cairns, excavations – almost like the imprint of flagstones under linoleum. As Shepherd put it in The Quarry Wood, ‘the stones summed up existence.’ My ...”

“... wrote of ‘blind Orion hungry for the morn’ in Endymion, while Turner’s near contemporary Richard Horne wrote an epic poem, Orion, the year before Turner exhibited Rain, Steam and Speed. Charles Lamb’s version of the Odyssey appeared in 1808: ‘Then came by a thundering ghost, the large-limbed Orion, the mighty hunter, who was hunting there the ...”

“... Then we’re introduced to the three leading characters, Rube (Geraldine Sherman), Sylvie (Carol White) and Eileen (Vickery Turner), by means of a pan down from a sign for Clapham Junction station which fits them exactly to a place and time. The play’s loose, episodic structure allows for improvisation. What Loach was to call a ‘go-in-and-grab-it type of ...”

“... Author​ of the anti-racist jeremiad Black Skin, White Masks; spokesman for the Algerian Revolution and author of The Wretched of the Earth, the ‘bible’ of decolonisation; inspiration to Third World revolutionaries from the refugee camps of Palestine to the back streets of Tehran and Beirut, Harlem and Oakland; founder, avant la lettre, of post-colonialism; hero to the alienated banlieusards of France, who feel as if the Battle of Algiers never ended, but simply moved to the cités: Frantz Fanon has been remembered in a lot of ways, but almost all of them have foregrounded his advocacy of resistance, especially violent resistance ...”