“... the street: ‘There goes the man that writ a book that neither he nor anyone else understands.’ John Locke, then a political refugee in the Netherlands, simply couldn’t master the mathematics, though this didn’t stop him reviewing the book in the Dutch press. He was glad to be reassured by a local expert that he could take the sums and proofs on ...”

“... desires to turn itself into a private language, a customised slang: The Unusual Life of Tristan Smith and True History of the Kelly Gang are examples of that Joycean urge, the latter stupendously so. In Theft, proper names are always losing their integrity, and being privatised by the narrator. Michael’s father’s shop, Boones Butchers, was once ...”

“... so that the frontier was now seen as a gateway to world power and economic abundance. (John F. Kennedy’s reference to a ‘new frontier’ in his speech accepting the Democratic nomination for president in 1960 carried this implication.) The myth of a West dominated by small family farms (Jefferson’s vision of the future) had already given way ...”

“... biography, Travels over Feeling, the 15-year-old Russell is already referring to Walt Whitman, John Cage and Allen Ginsberg (prefiguring later, more explicit involvements with queer sexuality, paganism and utopian politics). There is also an Alan Watts name-drop and a lot of talk about Buddhism.It isn’t easy, reading the early pages of Travels over ...”

“... as the Lucas van Leyden, a painting I find ravishing but can’t find much to say about, is John Sell Cotman’s Greta Bridge, a watercolour in the British Museum. I was brought up on Cotman, in that they have a very good collection of his work in Leeds, most of it bequeathed by Sidney Kitson, who was so fond of the artist he was said to suffer from ...”

“... be considered a discovery of the 1990s. The first big show of his work I saw was in 1996; in 1999, John Ashbery published a book-length poem entitled Girls on the Run, the cover of which bore an arresting Darger watercolour showing some of the Vivian Girls in panic-stricken flight. The ‘literariness’ and epic ‘virtual world’ quality of Darger’s work ...”

“... merely how the game sometimes has to be played.The means they ultimately chose was to rally around John Major as the person best placed to stop Heseltine. Thatcher reluctantly came to accept this and therefore to accept the ostensible reasons they gave for her stepping aside. Very soon she would regret having fallen for it. Yet it had been clear for some time ...”

“... Mount kicks off with some remarks about the so-called satire boom of the early 1960s. It recalls John Bird’s The Last Laugh, the Cambridge Footlights revue of 1959 (which I saw) and while recognising that it was too radical to be very funny, claims ‘it was undoubtedly a strong influence on Peter Cook (one of the original cast members)’, implying, I ...”

“... of popular music, spinning the Beatles in a new direction. Meeting Shankar changed things for John Coltrane, too, helping him shake his dependence on drugs, while opening his ears to Eastern scales. Before Philip Glass worked with Shankar on a film score in 1965, he had been churning out unremarkable pastiches of French neoclassicism fused with folksy ...”

“... and warm hearts, not for pedantic historians. Gallacher was one of those who put it about that John Maclean was out of his mind, literally hallucinating, when he ran his Scottish Workers Republican Party in opposition to the infant CPGB. Nevertheless, the name of the great Marxist dominie was repeatedly invoked, and Pat Lally, Glasgow’s Labour ...”

“... According to John Constable, the trouble with self-taught painters was that they had such bad teachers. Creative writing workshops notwithstanding, every novelist is self-taught. An enduring reminder of this is Cervantes’s relationship with his equivocal double masterpiece Don Quixote, and the most persuasive analyst of both book and author remains E ...”

“... was. Many contenders have tried to render Cavafy, but the edition Hockney came across must be John Mavrogordato’s, published by the Hogarth Press in 1951 (Rex Warner wrote the introduction). When Hockney’s prints were published a few years later, in 1967, Stephen Spender, a friend and early advocate, collaborated on a new translation with the ...”

“... with I.G. Farben and resisting participation in war production). United Mine Workers president John L. Lewis is more villainous than any businessman in No Ordinary Time, and although Doris Kearns Goodwin invokes Eleanor’s sympathy for the miners’ grievances, she treats the wartime mining strikes as Lewis’s personal vendetta against FDR. Brinkley ...”

“... reviews for a Selected Poems, published in the same year, which was one of the first titles in John Lehmann’s ‘New Hogarth Library’ series. The exceptional circumstances of the war not only contributed to Day-Lewis’s literary success; they provided the enabling conditions for his most significant love affair. The novelist Rosamond Lehmann reviewed ...”

“... This​ book is a departure from John Carey’s normal mode, much more intently introductory than anything else he has written in a long and distinguished career. A Little History of Poetry canters from Gilgamesh and Homer to Mary Oliver and Les Murray in three hundred pages with a breezy sense of mission, assuming in the reader no previous acquaintance with the subject (‘Confessional poetry is poetry that reveals personal confidences, especially relating to mental illness and hospitalisation’) or indeed with other sorts of knowledge that might be thought fairly general (‘Totalitarian regimes seek to control every aspect of life, including writing ...”