“... by the socialist parties, represented the mainstream of the labour movement from the 1890s. Brower may be right about the strikes (the statistics aren’t good enough to prove it either way), but I wonder whether his approach to the problem of labour violence isn’t merely a reworking of the old buntarstvo stereotype – the notion of ‘dark’ and ...”

“... most of these details from the helpful introduction to The Soul of a Patriot by its translator, Robert Porter. The manuscript had to wait ‘in the desk-drawer’ until 1989 before it was published in Russia, and it is the first of Popov’s novels to be published in English. Porter tells us that in an interview Popov named his own favourite writers as ...”

“... on the other, as probably it is. This is not the first instance we have seen in modern history. It may be that the political options are so inexorably black and white that the right public choice seems to subsume all the private virtues. But such a vision excludes the accidents, the mixture of motives, the inherited irrationalities that are the normal ...”

“... than early Pink Floyd – going on to produce a few grand creative talents in their own right. Robert Wyatt is the big survivor of the Soft Machine, a Hugo Ball at full lifespan to the band’s jaunty evocations of Dada. But there was also Daevid Allen, the founder of Gong, and Kevin Ayers, an eclectic-comic figure of some talent – in many ways the ...”

“... collections of the writings of Thomas Paine and his contemporaries in the 1790s, John Thelwall, Robert Owen and the British Utopians, and the responsibility for producing a Chartist canon could not have fallen into better hands. Few scholars can match Claeys’s ability to render 19th-century radicalism and socialism coherent by locating ideas which have ...”

“... and later as a special military adviser to Boris Yeltsin. But revealing though these materials may have been, Lenin’s flaws were hardly invisible before access became possible. Volkogonov is quite candid about the main reason for his and others’ loss of faith in Lenin. ‘We began to doubt his infallibility above all because the “cause” which he ...”

“... peace’ they have achieved that ‘Some shall be pardoned, and some punishèd.’ In the film Robert Stephens as the Prince convincingly says: ‘All are punishèd.’ Justice is not what’s to come: it is what they are miserably living with.The streets of the city are very busy in the film, and the walls and piazzas and churches seem to enjoy their ...”

“... renewing the vows of his poetic faith and pronouncing against old heresies. His position may sound embattled but we know that it is eminent. His aggravations have become his quirks, so that, for example, when he speaks of ‘the mindless sludge of surrealist verse’, we feel it to be less an expression of anger and revulsion than a reminder that in ...”

“... murals are spectacular but often threatening, and the question is not so much who as how. Robert Harris’s novel of the same name tells us that ‘conclave’ – the private assembly of cardinals to elect a new pope – means ‘with a key’, and the movie makes even more haste than the book to show us that the key is lost and so are several keys ...”

“... world of the arts, where supply is eternally in excess of demand, and one finds shelter where one may. Nor am I recommending any variety of Noble Savagery or Doing-your-own-thing. The latter is a contemporary phenomenon worth noting as one of several factors in the weakening of poetry as a public affair. A lot of interest is shown in poetry today, compared ...”

“... last poem in the book: ‘I understand “Annunciations” only in the sense that cats and dogs may be said to understand human conversations (i.e. they grasp something by the tone of the speaking voice), but without help I cannot construe it.’ Alvarez’s introduction to The New Poetry, when I read it as a teenager, left me even more baffled since I had ...”

“... researcher’s heart would not thrill at the words: ‘Please burn this letter that no mortal eyes may read it’? Manuscripts may seem to offer the pleasures of the peephole but no serious historian would argue that personal manuscripts offer access to unvarnished, unmediated truth. Letters do not simply display our ...”

“... last sole-authored play, The Tempest, had been performed two years earlier). He may have used it as a pied à terre, but by the time he came to write his will, almost exactly three years later, the house had a tenant living in it. During Walker’s ownership it had also been leased to a tenant, a haberdasher called Henry Ireland, whose ...”

“... have their own account of who they are and what they’re doing. The professional demographer may classify someone according to a set of categories widely recognised among experts, but unrecognisable or even offensive to the person being classified. An economist may insist that someone is maximising their welfare on the ...”

“... North & South (1946), and a Pulitzer Prize in 1956 for her second, A Cold Spring. Writing to Robert Lowell in 1958, she confesses to feeling ‘green with envy’ over Lowell’s ‘kind of assurance’ in the poems of Life Studies, and adds that ‘it is hell to realise one has wasted half one’s talent through timidity.’ Bishop’s ‘timidity’ is ...”