“... his mentor, John got him into left-wing politics, and at various points he was in analysis with James and in bed with Julia. Philipps’s father funded him while he tried to develop a career as a painter, but even by the lowish standards of Bloomsbury he was a terrible artist. ‘Rosamond . . . is always driving him to it and making him “follow his ...”

“... movies like Gun Crazy and Bonnie and Clyde and made reference to the resemblance between Sheen and James Dean. It also had music by Carl Orff and Erik Satie and an appreciation that the badlands were both beautiful and an obliging metaphor for destructive liberty. Malick knew that country from working summers in the fields, drilling for oil or as a farmer. His ...”

“... narrator was born and grew up, and which Deighton knew only as the destination of parcels at the King’s Cross sorting office where he’d worked over one Christmas holiday. Giving the character Lancashire origins was an attempt to put some distance between author and narrator, a distance narrowed by the films. Harry Palmer is a Londoner. Deighton was born ...”

“... with samples of ointments used in Guinea. Sloane also obtained an Asante drum, which, as J.C.H. King reports here, is the only surviving 18th-century African artefact associated with slavery. David Dabydeen has pointed out that the very word ‘patron’ could at this point mean both connoisseur and slave-owner. It would be intriguing to know whether the ...”

“... the scene now of renewed challenges to its legitimacy. He doesn’t mention Thomas Jefferson and James Madison, the great American theorists of church-state separation. He says nothing about the repeated efforts to amend the notoriously ‘godless’ constitution by inserting God’s name in it, or the more recent claims that God has been hiding there all ...”

“... standard early modern slang. (Rochester famously wrote of Charles II, with no implication that the king was cheerful: ‘Restless he rolls about from whore to whore,/A merry monarch, scandalous and poor.’) Curll’s obscene publication, flogging a single schoolboy joke to death, apparently also won an avid readership and a reputation for daring wit. A ...”

“... and myths, mean that it isn’t an easy task to write the history of the artist’s studio. James Hall’s book touches on many things – self-portraits and celebrity, memorabilia and mirrors – and the physical spaces themselves come in and out of view. In this respect, it’s helpful to know that the term ‘studio’ derives from a verb as well as ...”

“... for them. Recordings were designed to be accessible, but also to last. ‘From the Supremes,’ James Gavin writes, ‘Michael got his first taste of the catchy hooks and beats that made a pop song unforgettable.’ Or as Michael put it, ‘I knew how to make these records and make them jump out the radio.’In 1975, when Michael was twelve, his family ...”

“... who were more or less starving and had taken to shoemaking with little success. The defiant James Ings was a butcher. Dr James Watson was an apothecary who happened to be in debtors’ prison when the conspiracy erupted and so escaped arrest and trial. He had been an ingenious armourer for the plot, devising letter ...”

“... which is not the scene of de la Mare’s engrossing stanza: Who said, ‘Peacock Pie’? The old king to the sparrow. Who said, ‘Crops are ripe’? Rust to the harrow. It is solid stuff: the more we repeat it the more true facts emerge. The old king’s words are at once a threat, a gibe and an ironical comment ...”

“... cento that is Moby-Dick, there is a passage which might be interpreted as Melville’s response to James Barry’s 1776 engraving The Phoenix or the Resurrection of Freedom. In the engraving Andrew Marvell is depicted with Milton, Locke and Algernon Sidney among the mourners at the bier of Britain’s traditional liberties. Across a pond the mourners can see a ...”

“... what used to be the valley of the Fleet River, which flowed into the Thames from the direction of King’s Cross. In 1863, Farringdon became one terminus in the world’s first underground railway, the Metropolitan Railway, the other being Paddington. It’s been running ever since: 142 years of complete strangers squeezed into boxes, propelled under the ...”

“... nasty like the old time, old no. 7.On ‘Rhymes like Dimes’, Doom sampled Quincy Jones and James Ingram’s ‘One Hundred Ways’, and produced just as many quotable lines. Or, as Dunbar put it in ‘We Wear the Mask’, he mouthed with myriad subtleties. As Doom says in ‘Hey!’, another song from Operation: Doomsday, he expressed himself ‘with ...”

“... especially the death of Jethro Stone, which is nastier than anything you will find in Stephen King – leave the reader groping for some sort of moral context in which to view them. Nissenson seems to have concentrated all his energies on drawing a portrait of the period so filled with specifics that some echo of the contemporary consciousness, one would ...”

“... Parliament, Lord Wedgwood certainly deserves most of the tributes he receives from Robert Rhodes James in a Foreword to this work. On the other hand, even in the Thirties it was optimistic of Wedgwood to suppose that the compilation of biographies of Members of the Commons would necessarily reveal the more admirable qualities of those Englishmen who ...”