Why so late and so painfully?
Frederick Brown: Cézanne, 21 March 2013
“... Art’s Sake’ endeared him to the upper-class connoisseur, wrote, apropos of a Barbizon painter, Charles-François Daubigny: ‘It is really too bad that he … should be satisfied with an impression and should neglect details to the extent that he does. His pictures are nothing more than rough drafts left in a very unfinished state.’ Thirty years ... ”