“... if the magnitude of the event is considered – the loss of very few lives. From this moment we may consider France as a free country.’ By the end of the Reign of Terror in 1793-94 and two decades of war with other great powers, the loss of life had turned out to be much greater than Dorset thought. Yet the awesomeness of 1789 as a model of human ...”

“... a century later. The extraordinary thing is that it was more than eight years since Captain Robert Jenkins of the brig Rebecca had had his ear cut off by a notorious Spanish coastguard off Havana, the most consequential ear in history before those of Vincent van Gogh and Donald Trump. The British reaction had been tepid at first, and the country seemed ...”

“... at the church across the square and she overheard them at a nearby table fumbling for a line of Robert Browning’s ‘The Lost Mistress’:Tomorrow we meet the same then, dearest?May I take your hand in mine?Mere friends are we – well, friends the merestKeep much that I resign …Yet I will but say what mere friends ...”

“... road. A map is a memory: it’s a representation, a re-presenting of something that has been. It may look good on paper – and that’s already a fiddle, a projection of a sphere onto a plane – but it’s always a botched job and mapmakers know it. Cartographic language is loaded with confessions of omission and commission: map silences, map fictions, map ...”

“... Thomas is not interested primarily in the source of the pamphlets or how they were distributed. Robert Darnton and Daniel Roche, among others, have made extensive studies of the underground press, of the mechanics of clandestine production and distribution. Some of the pamphlets are translated here for the first time, but of course there is nothing new in ...”

“... around. They are, no doubt, in their cars, and another poet of weirdness, New England weirdness, Robert Lowell, knew also about cars: ‘A savage servility slides by on grease.’ There are antique shops in Stockbridge, where antique seems to mean the day before yesterday. And grand white wooden houses, behind evergreen trees, houses which turn out to be ...”

“... of fellow, a rugby blue who was known to call his wife by the name of George’. These teachers may look formidable in their black gowns but they’re kindly enough, insisting on the spirit of fairness. Of course, as McEwan is keen to let his younger readers know, corporal punishment still took place in this era, and ‘the honourable thing was to take your ...”

“... The Literary Brat Pack was a journalistic readymade, roping together a number of writers who may have scarcely known each other and treating them as a floating soirée. It was cartoonish and unfair to most of the individuals involved, but the thing about catchphrases is that once they click, they stick. And for a brief spell, Jay and Bret obliged the ...”

“... in’ or ‘taking out’, as porous or trussed, open or closed, is not clear, but that may be the point: like the two states that underlie them, these two strategies are bound up with each other. In this light his collecting was another way of being porous to the world, and his being porous another way to defend against images and objects – that ...”

“... men, courtiers, emperors, bores, Margaret Thatcher, fools, bad poets, frocks, personal enemies, Robert Walpole, reason, lust, excrement, travel, ex-soldiers, Americans, patrons, opera, religious orthodoxies, sexual deviants, shopkeepers, dildos, merchants, political parties and all self-deluded asses who believe themselves superior to the rest of ...”

“... general, waste good material on his correspondents. He was, he wrote to the Hungarian film-maker Robert Lazlo, ‘a bad letter-writer’. His replies were terse, polite and to the point. ‘I wish I could write you as interesting letters as you write to me, but nothing goes on outside my window except blue sea and mountains,’ he wrote to Skvorecky. His ...”

“... not come back. In the first poem in My Alexandria, ‘Demolition’, Doty invokes the ghost of Robert Lowell: many of the poems take their bearings from Lowell’s clotted diction, from what Doty calls his ‘ruthless energy’, from Lowell’s interest in burning the poem onto the page, heaping on adjectives to fuel the fire, invoking the Old ...”

“... Two ten-year-old boys, truanting from school, go to a Liverpool shopping-centre. They stole, or may have stolen, ‘a pen, a packet of batteries, Humbrol enamel paint tins, sausage rolls, party poppers ... a troll ... a packet of iced gems, a balloon, a plum, a pear, a banana’. Think of the young Jean-Jacques Rousseau, trying to steal apples; standing ...”

“... George Herbert, Thomas Ken, Watts, Charles Wesley – but many less celebrated names, such as Sir Robert Grant, William Walsham How, William Chatterton Dix: Grant (‘O worship the King, all glorious above’), the Scottish-born English MP who ended his life as Governor of Bombay; Thomas Olivers (‘The God of Abraham praise’), a cobbler who was converted ...”

“... in these abstract Modernists. One of the many things that is so interesting about him, and that Robert Ferguson illuminates in this first thorough biography, is his redescription of original sin as the best way of talking about ineluctable human limitations. In his own combative, unacademic way he was trying to work out why original sin, even in its secular ...”