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“... the naturalist away from home, Godwin asked Darwin’s wife for a letter of introduction to Robert Bage instead. To his surprise, Mary Darwin said she could not properly provide one since, though Bage was her husband’s ‘very particular friend’, she wasn’t sure she had ever set eyes on him. Undeterred, Godwin determined to introduce himself to ...”

“... by the exiled Madame de Staël, that it was this street that she missed most of all – whilst Robert Brasillach lived in the more elongated ugliness of the Rue Lecourbe, not far removed. But when they were in Spain, at the time of the Civil War, they were on different sides, and the books they wrote about the war were in sharp contrast one to the ...”

“... of Kafka’s art. Chief among these were the voices of Walter Benjamin, Maurice Blanchot, Marthe Robert and Erich Heller. Heller’s essay on The Castle in The Disinherited Mind (1952) marked a real turning point. He argued persuasively that it was folly to go on debating whether Kafka was religious or anti-religious, Marxist or bourgeois, Calvinist or ...”

“... the past by Harold Macmillan and is protected now by the enthusiasm of men such as Roy Jenkins and Robert Rhodes James. But why should those of us who are excluded from this desirable club at Westminster want such an extended work of collective biography? In the case of these volumes one obvious reason lies in the period that they cover. They begin one year ...”

“... in 1944. The Long Take is laced with references to film noir, and to the work of the directors Robert Siodmak and Joseph H. Lewis in particular. The title alludes to the shot in Lewis’s Gun Crazy (1950) in which a getaway car is filmed in a long continuous shot ‘near three-and-a-half minutes straight through with no cuts’. The Long Take, though, is ...”

“... that sense of completeness of utterance and identity that must have come with the first books of Wallace Stevens (Harmonium) and Elizabeth Bishop (North and South).’ The book they were talking about was Douglas Crase’s The Revisionist. Out of print for almost forty years, it has now been reissued (Carcanet, £12.99) in a volume that also includes ...”

“... by established names, among them Frank Conroy, Stuart Dybeck, Richard Ford, Joyce Carol Oates, Robert Stone and Amy Tan. Those writers known partly for formal experimentation whose work Wolff did include (among them Lorrie Moore, Denis Johnson and Mary Robison) did not, in the stories Wolff selected, engage with the question of how a story convinces us of ...”

“... the poem ‘says’ will be accompanied by biographical information about the author. Underneath Robert Graves’s ‘Symptoms of Love’, for instance, we learn this: ‘Scientists have recently classified love as a form of psychosis. Robert Graves knew all about this. The poet once threw himself out of a third-floor ...”

“... by William Archer, J.M. Barrie, Arnold Bennett, A.C. Benson, Hugh Benson, Laurence Binyon, Robert Bridges, Hall Caine, G.K. Chesterton, Arthur Conan Doyle, John Galsworthy, Thomas Hardy, Maurice Hewlett, Anthony Hope, W.J. Locke, E.V. Lucas, J.W. Mackail, John Masefield, A.E.W. Mason, Gilbert Murray, Henry Newbolt, Owen ...”

“... Barzun, R.P. Blackmur, Alfred Kazin, Lionel Trilling, Delmore Schwartz, Allen Tate, Kenneth Burke, Robert Fitzgerald, Leslie Fiedler and John Crowe Ransom – this last its founder as a school of literary criticism ‘to teach those who teach it’. Marianne Moore, in Brooklyn, had a quieter time, but was just as much in touch with them all through friends and ...”

“... I had gathered as a child. By then, I had become a secret devotee of snow: my favourite poem was Wallace Stevens’s ‘The Snow Man’, my favourite painting Pieter Bruegel’s Winter Landscape with Skaters and Bird Trap. The film scene that ran on a neverending loop in my head was the snowy automobile and sleigh ride in The Magnificent Ambersons; my ...”

“... for times when the batteries have run down’. The surprise is that instead of lecturing on Wallace Stevens, William Carlos Williams, W.H. Auden, Elizabeth Bishop, Gertrude Stein and Marianne Moore, all of whom he acknowledges as ‘major influences’, he discusses an eclectic group of 19th and 20th-century poets who for the most part have endured long ...”

“... chocolate, but for the Natural History Museum. Without Joseph Banks and Darwin and Alfred Russel Wallace we would not understand how acutely dependent we are on nature’s goods and services, and it was the Swedish chemist and Nobel Prize-winner Svante Arrhenius who, a hundred years ago, first discussed the greenhouse effect. The ‘back to ...”

“... or assemblage.The 1950s and 1960s were a great era of collage in all sorts of media: not just Robert Rauschenberg, but also John Ashbery and Bob Dylan. For Barthelme, it wasn’t simply a matter of playing with found forms or language. That was ‘cheapo surrealism’. Instead his stories explore situations (‘The Party’, ‘Brain Damage’, ‘City ...”

“... belatedness with regard to her favourite writers – they include Dostoevsky, Platonov, Kafka and Robert Walser – and a firm grasp of all the aesthetic and intellectual-historical explanations of Why One Can’t Write Like Tolstoy Any More. ‘This story will be composed in bad English,’ one of the two novellas in Private Novelist begins, ‘the ...”