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“... she escapes from the ‘dull slavery’ of her job by becoming the trophy wife of the elderly Sir Michael Audley and the mistress of his magnificent house, Audley Court. Although she is a helpless-looking blonde, the epitome of the Victorian ‘Angel in the House’, Lady Audley is strong and determined, and when her position is threatened by her first ...”

“... murals are spectacular but often threatening, and the question is not so much who as how. Robert Harris’s novel of the same name tells us that ‘conclave’ – the private assembly of cardinals to elect a new pope – means ‘with a key’, and the movie makes even more haste than the book to show us that the key is lost and so are several keys ...”

“... that gives his prose its precision. These letters and the diaries are Maitland’s chief source. Michael Asher’s fine Thesiger: A Biography (1994) chiefly relied on conversations with Thesiger and those who had known him, supplemented by the published works. Now, Maitland’s painstaking use and critical correlation of the Thesiger papers allows him to ...”

“... aged 78, Kinglake in 1891, aged 82) but play very different roles in the 20th-century imagination. Michael Collie, the more severe of Borrow’s new biographers, notes the instructions Borrow’s publisher gave him when he was writing The Bible in Spain: he was told to report his remarkable achievements, experiences and skills ‘in a natural manner, as if ...”

“... my father and married my mother – but would not be confined to it, and this is the kind of plot Robert Belknap is most interested in. He doesn’t neglect causality, but he likes it best when it goes what he calls ‘fractal’, when narrative turns take further turns, as ‘a fractal curve has kinks, and kinks on the kinks, and smaller kinks on those ...”

“... The continuing American blindness to Vietnam itself, in this and many other instances, notably Michael Cimino’s film The Deer Hunter (1978), can be astonishing, but the myth also shows some genuine self-understanding. Apocalypse Now, in particular, is full of the sense that Americans exported whole chunks of their culture to Vietnam and discovered its ...”

“... turns out to be an important asset. Grey complained bitterly when his father took a peerage; Lord Robert Cecil (as he then was) thought, when his elder brother’s death made him the heir to the marquessate, that his political career had been marred. Both hated leaving the Commons for the Lords; both benefited from the move. Salisbury would not have made a ...”

“... gritting his teeth). In yet another, he is administering a severe ticking-off to an apprehensive Robert Macnamara. And on page 113 of the book there is a paragraph that – rather in the manner of a single human cell, which contains all the genetic information required to construct a complete picture of its owner – tells us a great deal about the ...”

“... shining, uncomplicated, confident, bossy creatures, ‘free to play or free to slack’, as Robert Lowell put it, the ‘or’ multiplying their already monstrous freedom. They are always to hand with a nicely turned ‘filthy joke’ or two, the correct plural of ‘crocus’ (I always thought it was ‘crocuses’ myself, but then I’m not like ...”

“... a journey through time and never came back, and the final battle (or life itself) was too much for Robert Downey Jr (Iron Man). The last scene but one is his funeral, and the last scene of all is a glimpse of an aged Chris Evans (Captain America), who has had better luck, and is living with his old sweetheart retrieved from the 1970s. On the soundtrack we hear ...”

“... the movie is mostly about the way it looks. It’s meant to be a political thriller – based on Robert Harris’s novel The Ghost (the film has that title in the UK) – but it feels as if the writer went home halfway through, taking the story with him, and leaving the director and cinematographer to do what they could with the light and the setting. The ...”

“... act and to be responsible for their actions is an essential aspect of who they are), and Iron Man (Robert Downey Jr) leading the yeses (he’s just had a difficult encounter with the mother of a young man they accidentally killed in a preceding film). Both are reasonable positions, and we may, according to our own politics, think either is confirmed or denied ...”

“... to All Quiet on the Western Front. But he died in 1970, leaving it unfinished: a massive stub. Michael Hofmann, his translator, recalls some other unfinished fictions. But this is not The Mystery of Edwin Drood or The Man without Qualities. Those two books lack their ends, but what remains doesn’t feel raw or rough; they simply break off. The Promised ...”

“... the period’s other radicals: William Thompson, Francis Place, George Petrie, Thomas Spence, Robert Owen and Richard Carlile. In his day, Carlile was no less celebrated as a political agitator, and as a polemical atheist, than he was as a sexual reformer: some such mix of activities was the rule for this group. But it was Carlile’s sexual programme ...”

“... Jeanne-Claude, Rachel Whiteread, Gordon Matta-Clark, Jeff Koons (who in fact used basketballs), Robert Smithson and Michael Heizer, once again he doesn’t trouble us with names, as if that would be to indulge such artists further. These swipes are an odd fit in a book that means to illuminate the current interplay ...”