At the British Museum
Peter Campbell: Michelangelo’s Drawings, 6 April 2006
“... fresco, an imaginable sweaty, human reality is smoothed and plumped out. It is as though a tough hill-bred animal has been fattened and conditioned for market. In fresco and sculpture, Michelangelo’s mastery of his ideal type is complete. The delineation of the body is assured. Its bends, turns and foreshortening are effected magisterially. The life ... ”