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“... represented a headache for Charles Stewart Parnell. History was Daniel O’Connell, Parnell and John Redmond, who led the Irish Parliamentary Party in Westminster after Parnell. My grandfather had been interned after the 1916 Rising, and sometimes when the older generation in my family gathered they talked about the Fenians and evictions, Black and Tan ...”

“... now just for Macmillan. In time, the Aubrey-Maturin books became a cult property. Iris Murdoch and John Bayley were fans, and every now and then a laudatory notice would appear in the TLS or the LRB, for which O’Brian wrote in the 1980s and 1990s.*His life began to change in 1989. Starling Lawrence, an editor at W.W. Norton, read a borrowed paperback of the ...”

“... for what Irish fiction has achieved in its more experimental modes (Joyce, Beckett, Flann O’Brien). In addition, since Ireland had for so long offered descriptions of itself as a traditional community, and since these had been reinforced by different groups pursuing their own agendas, its Modernism in literature was bound to sit rather oddly with ...”

“... got their first chance in that pub. A few of the celebrants are, or have been, English dons – John Fuller, Simon Gray, Dan Jacobson; but even they arrived by what might be called the bohemian route. There are of course other ways in; anybody can see how much space the dons occupy in the respectable papers and magazines. Many moved in by routes that did ...”

“... for the reader of Aogan O Rathaille, the greatest of modern Gaelic poets, a contemporary of Swift. John Jordan’s eloquent and penetrating essay on O Rathaille is one of the best things in the book. Sympathetic to both the Irish and the English literature of that period, Jordan is able to give us a sense of the intimacy and the distance between them ...”

“... The first letter​ – five lines written to his father in April 1943 when John McGahern was eight years old – could take an entire book to gloss:Dear Daddy,        Thanks very much for the pictures. I had great fun reading them. Come to see us soon. We got two goats. Uncle Pat does not like them. Will you bring over my bicycle please and games ...”

“... by means of an outrageous and productive rifling of standard verse-forms like the aisling. John Montague, a poet much given to the perusal of the past, has a blunter, if no less telling method of setting out his historical material: a shattered procession of anonymous suffering files through the brain: burnt houses, pillaged farms, a province in ...”

“... presents biographical sketches of three participants in Britain’s 18th-century slave economy. John Newton (1725-1807) was a slave captain who became an Anglican cleric and, towards the end of his life, an opponent of the trade. Thomas Thistlewood (1721-86) was an overseer and eventually a slaveholder in western Jamaica who compiled a meticulous diary of ...”

“... Paris correspondent of the Times, those at Yeats’s graveside included ‘Mrs Yeats, Mr Dermod O’Brien, the President of the Royal Hibernian Academy of Arts, and Lady Gerald Wellesley, the poetess’. In February 1947, my grandparents again made the trip to the South of France, accompanied this time by their teenage daughters. My mother recalled her ...”

“... Infinitely more profound and productive than his nearest 18th-century equivalent, Henry St John, Viscount Bolingbroke, he was also far more prominent in national politics over a much longer span than John Milton or the 3rd Earl of Shaftesbury in the 17th century, J.S. Mill in the 19th century, and Bertrand Russell ...”

“... the writings of an unlikely set of predecessors: Edmund Burke, the eccentric Jeffersonians John Taylor of Caroline and John Randolph of Roanoke, Old School Presbyterian defenders of slavery, T.S. Eliot, Karl Marx, Karl Barth, Reinhold Niebuhr, the Nashville Agrarians and their latterday apostles, Richard Weaver and ...”

“... Irish tradition begins from that point: the language must be worked for all it is worth until, as John Banville’s narrator in his early novel Nightspawn says, ‘we are all up to our balls in paper, and this same testimony would remain: I love words and I hate death. Beyond this, nothing.’ The tradition becomes deeply ironic, loving words for their beauty ...”

“... to this culture. They particularly enjoy ‘breaking the walls between dimensions’, such as when John Oliver featured the unofficial Japanese city mascot Chiitan on his show Last Week Tonight. Chiitan had gone viral on Twitter after a few silly destructive stunts and Last Week Tonight sent a life-size John Oliver mascot to ...”

“... in context, and to locate him in a recognisable tradition which includes not only Rabelais, Flann O’Brien and Spike Milligan, but also – more surprisingly – the likes of David Nobbs, Ken Dodd and Les Dawson. (The middle part of the book consists of a kind of Flaubertian dictionary, a ‘Satie A-Z’, and it’s pleasing to note that of the two Leses on ...”

“... of Humanity. Yet quite a few gloomsters were not checked in, notably éminence noire Conor Cruise O’Brien. Was the Indie trying to cheer us up? Or perhaps it was offering a little consolation to those already suffering from the fin-de-siècle drowning sensation. More serious victims might also try turning to Martin Thom’s careful and deep fathoming of a ...”