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“... to night. The walls were so thin I could hear her munching ice cubes all day. She had to use a walker to get around, but that still didn’t stop her. I’d hear that walker scrape, scrape against the floor from morning to night. That and her icebox door closing ... I had to get out of there. Scrape, scrape. I couldn’t ...”

“... and was met by a near unanimous lack of critical acclaim. The screenplay was based on a novel by John Masters (1914-83), who had served in the British army in India before and during the Second World War. Masters’s family had had a relationship with India stretching back five generations; I have been told by elderly Indian army officers who served with him ...”

“... Dorothy Wordsworth makes it clear whose eyes her own journal is for, after William and his brother John had left her in Trasmere, and set off to walk into Yorkshire, ‘cold pork in their pockets’: ‘I resolved to write a journal of the time till W and J return, and I set about keeping my resolve, because I will not quarrel with myself, and because I shall ...”

“... for our time is a conviction that Parmar clearly shares. Her previous documentaries include Alice Walker: Beauty in Truth (2014) and Warrior Marks (1993), based on a book she co-authored with Walker about female genital mutilation. My Name Is Andrea is a synthesis of original archival material of Dworkin, mostly from her ...”

“... this passage. ‘In the early 1950s,’ he once remarked, ‘I was awakened by the photographs of Walker Evans and the movies of John Ford, especially Grapes of Wrath, where the poor “Okies” (mostly farmers whose land dried up) go to California with mattresses on their cars rather than stay in Oklahoma and ...”

“... a powerful comic novelist. Kington Aimes must look to his laurels. The circumstances surrounding John Kennedy Toole’s fictions are as pure American Gothic as even Flannery O’Connor could devise. Without any of his friends suspecting he had authorial ambitions, Toole wrote A Confederacy of Dunces in the early Sixties, while doing his national service in ...”

“... hall. Spalding observes, justly, that by insisting on the intervention of the American architect John Russell Pope in 1929 the sponsor, Lord Duveen of Millbank, was promoting, against the inclinations of British curators and civil servants, the ‘latest American style’, the style of the new sculpture gallery in the Metropolitan Museum in New York. Pope ...”

“... With the introduction of the private detective film four years later, the other noir founders, John Huston and Humphrey Bogart, shifted audience identification from hunted to hunter. Dashiell Hammett’s Sam Spade in The Maltese Falcon made Bogart a star, although the refugee Peter Lorre provides the film’s only moment of genuine fright Wilder, the ...”

“... said to have ‘secret passages towards the water’. Shakespeare bought it for £140 from Henry Walker, ‘citizen and minstrel of London’. The deed of sale is dated 10 March 1613: he put down £80 and the following day signed a mortgage agreement with Walker for the remaining £60. Whether Shakespeare ever lived in ...”

“... for the cinema, can also be seen in photographs taken by Eardley herself and by her friend Audrey Walker. The photographs give the look of one corner of postwar Britain in documentary black and white. Eardley’s paintings give it in colour; bright patches of clothing show up against dark, chalk-scrawled walls. The turn of a head, the angle of a leg, or the ...”

“... first, Dora, dying suddenly at the age of eight months. Only a fortnight before that his father, John Dickens, had died after enduring a horrifying surgical operation (while his son looked on) without the benefit of anesthesia. His wife suffered for some time from a ‘nervous’ condition, perhaps post-natal depression, or perhaps simply exhaustion. In 1851 ...”

“... their work, especially when it manifested itself as self-conscious ordinariness in poets such as John Masefield and Wilfred Gibson. Thomas felt that trying to be down to earth was part of the same problem; instead he wanted a poetry whose interplay of self-expression and common forms would always make it mean more than the writer could choose or control ...”

“... made a decent living writing plays for BBC television and radio. (The first, The Fall of Kelvin Walker, starred Corin Redgrave, bizarrely feminised by Glass as ‘Corinne’ in his text and ‘Connie’ in his index.) In this way, Gray began slowly to build up a reputation in his home country, while the leaking of fragments of Lanark to literary magazines ...”

“... On a trip to New York in 1969, Killip was diverted for a second time, by the work of Bill Brandt, Walker Evans, August Sander and Paul Strand.He returned home, worked in his parents’ pub and began documenting a place that was still, via Dublin and Liverpool, a popular holiday destination. There are no tourists in Killip’s early images, no sign of the ...”

“... In the early 1950s I was awakened by the photographs of Walker Evans and the movies of John Ford, especially Grapes of Wrath where the poor ‘Okies’ go to California with mattresses on their cars rather than stay in Oklahoma and starve. I faced a sort of black-and-white cinematic identity crisis myself in this respect … a little like trading dust for oranges ...”