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Spurious, Glorious

Lavinia Greenlaw: Three Long Poems, 13 September 2018

Three Poems 
by Hannah Sullivan.
Faber, 73 pp., £10.99, January 2018, 978 0 571 33767 5
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... a literary Rolodex on the page. Along with Auden, there are mentions of Shelley, Larkin, Forster, James and others. Sullivan’s handling of them has a curious effect. They’re neither looming nor vital. Like statues in the park, they’re just there. The looser second section of the poem consists of dissolve after dissolve in which being ‘half aware’ is ...

Dear Miss Boothby

Margaret Anne Doody, 5 November 1992

The Letters of Samuel Johnson: Vol. I: 1731-1772, Vol. II: 1773-1776, Vol. III: 1777-1781 
edited by Bruce Redford.
Oxford, 431 pp., £25, February 1992, 0 19 811287 4
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... and whose life history was intertwined with his. It would be helpful to have explanations of Lucy Porter, Hill Boothby, John Taylor and the Thrales, as major figures in Johnson’s life and letter-writing. The notes are self-referential in a cryptic way, with a delicately archaic use of ante and post; these are not as helpful as the editor thinks, for the ...

Nora Barnacle: Pictor Ignotus

Sean O’Faolain, 2 August 1984

... to his studio with a snapshot of this young Galway woman who (he said) had eloped with his son James to Paris some eighteen years before. Mossy agreed to copy the photograph in oils, two feet by 18 inches, unframed, for the usual flat rate of five quid, ten bob down, the rest on delivery, asked the usual questions, colour of hair, auburn, colour of ...

Knowledge Infinite

D.J. Enright, 16 August 1990

The Don Giovanni Book: Myths of Seduction and Betrayal 
edited by Jonathan Miller.
Faber, 127 pp., £6.99, July 1990, 0 571 14542 6
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... the 354 acknowledged bastards of Augustus the Strong, Elector of Saxony and King of Poland, Roy Porter paints a picture of universal libertinism in the 18th century, much of it ‘under the aegis of a benevolent Nature’, which raises as many questions as it makes statements. Some of the claims for unfettered fornication – a Scottish minister maintained ...

Treated with Ping-Pong

Susan Eilenberg: The History of Mental Medicine, 23 July 2009

Mad, Bad and Sad: A History of Women and the Mind Doctors from 1800 to the Present 
by Lisa Appignanesi.
Virago, 592 pp., £12.99, January 2009, 978 1 84408 234 6
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... have any choice. Jean-Martin Charcot, Pierre Janet, Josef Breuer, Sigmund Freud, Mary Lamb, Alice James, Anna O., Zelda Fitzgerald, Marilyn Monroe and Sylvia Plath are household names. Not everyone may be able instantly to identify Henriette Cornier (who in 1825 chopped off her 19-month-old charge’s head), or Augustine (Charcot’s ‘model ...

Updike’s Innocence

Craig Raine, 25 January 1990

Just Looking: Essays on Art 
by John Updike.
Deutsch, 210 pp., £19.95, November 1989, 0 233 98501 8
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... denounce the sentimental are generally unaware of what sentiment is’. The paintings of Fairfield Porter, traditional, carried out in the teeth of Abstract Expressionism, are subjected to a stern interrogation, during which any number of flaws are stigmatised (like Porter’s difficulty with faces) before Updike can allow ...

Callaloo

Robert Crawford, 20 April 1989

Northlight 
by Douglas Dunn.
Faber, 81 pp., £8.95, September 1988, 0 571 15229 5
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A Field of Vision 
by Charles Causley.
Macmillan, 68 pp., £10.95, September 1988, 0 333 48229 8
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Seeker, Reaper 
by George Campbell Hay and Archie MacAlister.
Saltire Society, 30 pp., £15, September 1988, 0 85411 041 0
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In Through the Head 
by William McIlvanney.
Mainstream, 192 pp., £9.95, September 1988, 1 85158 169 3
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The New British Poetry 
edited by Gillian Allnutt, Fred D’Aguiar, Ken Edwards and Eric Mottram.
Paladin, 361 pp., £6.95, September 1988, 0 586 08765 6
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Complete Poems 
by Martin Bell, edited by Peter Porter.
Bloodaxe, 240 pp., £12.95, August 1988, 1 85224 043 1
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First and Always: Poems for Great Ormond Street Children’s Hospital 
edited by Lawrence Sail.
Faber, 69 pp., £5.95, October 1988, 0 571 55374 5
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Birthmarks 
by Mick Imlah.
Chatto, 61 pp., £4.95, September 1988, 0 7011 3358 9
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... this sort of browned-off tone does for a good deal of the verse in Bell’s Complete Poems. Peter Porter writes that Bell ‘knew more about poetry than any other writer I have known’, yet the number of Bell’s best poems is small. Clearly he was multi-talented. A stanza from a version of Corbiere shows fine use of form and acoustics. Bell can also have an ...

At the V&A

Susannah Clapp: ‘Bags: Inside Out’, 20 May 2021

... outside it. Fonda has documents in her hand, a newspaper tucked under her arm; behind her is a porter, another kind of (man)bag, with serious luggage. I would like to have seen Hilde Wagner-Ascher’s cotton and metal envelope-style bag, designed nearly a hundred years ago for the Wiener Werkstätte, doing its job in sympathetic surroundings. The canny ...

Secession

Michael Wood, 23 March 1995

The Stone Raft 
by José Saramago, translated by Giovanni Pontiero.
Harvill, 263 pp., £15.99, November 1994, 0 00 271321 7
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... to sober eyes. But there would be a real liberation in it too. If we wanted to refer to Cole Porter or Philip Marlowe or Lassie, we could do it without being suspected of trying for the popular touch; if we came across Thomas Aquinas, we wouldn’t have to pretend we found the thought in an old cookbook. This may sound utopian (or nightmarish: chacun son ...

Tory History

Alan Ryan, 23 January 1986

English Society 1688-1832 
by J.C.D. Clark.
Cambridge, 439 pp., £30, November 1985, 0 521 30922 0
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Virtue, Commerce and History 
by J.G.A. Pocock.
Cambridge, 321 pp., £25, November 1985, 0 521 25701 8
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... history began with the proposition that the Stuart kings were a bad lot, given to homosexuality (James I), extravagance (Charles I), excessive wenching (Charles II) and a systematic attempt to debauch our ancient liberties and betray us into the hands of the Pope and Louis XIV (Charles II and James II). The enforced ...

Fire or Earthquake

Thomas Powers: Joan Didion’s Gaze, 3 November 2022

Let Me Tell You What I Mean: A New Collection of Essays 
by Joan Didion.
Fourth Estate, 149 pp., £8.99, January 2022, 978 0 00 845178 3
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... out her favourite Hemingway sentences to see how they worked, Later, at Berkeley, she put Henry James and Joseph Conrad on a pedestal with Hemingway and agonised in a short story class with Mark Schorer that she was ‘not good enough’. The 1950s were the glory days of the New Criticism in university English departments, but Didion rejected ...

It’s the worst!

Ange Mlinko: Frank O’Hara’s Contradictions, 3 November 2022

Meditations in an Emergency 
by Frank O’Hara.
Grove, 52 pp., £12.99, March, 978 1 61185 656 9
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... drawing by Larry Rivers, freeze him in a pose of brooding nobility, small and tough like Keats. (James Schuyler mourned: ‘even your lines have/a broken nose,’ a kind of translation of Leigh Hunt’s description of his doomed friend – ‘He had a face in which energy and sensibility were remarkably mixed up.’) ‘Frank’ has become shorthand for ...

Standing up to the city slickers

C.K. Stead, 18 February 1988

Selected Poems 
by Les Murray.
Carcanet, 151 pp., £3.95, April 1986, 0 85635 667 0
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The Daylight Moon 
by Les Murray.
Carcanet, 86 pp., £6.95, February 1988, 0 85635 779 0
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... dialectic received their clearest definition in his essay ‘On sitting back and thinking about Porter’s Boeotia’,† an essay which takes off from Peter Porter’s poem ‘On first looking into Chapman’s Hesiod’, and which seems to have followed on from their interchange at the 1975 Poetry Australia ...

Double Act

Adam Smyth: ‘A Humument’, 11 October 2012

A Humument: A Treated Victorian Novel 
by Tom Phillips.
Thames and Hudson, 392 pp., £14.95, May 2012, 978 0 500 29043 9
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... bawdiness (‘fancy him, darling?’): the effect is rather like Arthur Balfour voicing Sid James. ‘Enter toge,’ Chapter 1 begins, ‘wheeled slowly in by French and German ladies of vague conditions in life.’ Or: ‘he himself rated success in flesh to include dogs, rain rope, and also a certain condition of Asiatic elation.’ Or: ‘art ...

Diary

Ian Hamilton: Two weeks in Australia, 6 October 1983

... like Patrick White and A.D. Hope were greeted with candid derision, and nobody had heard of Clive James.* When, at one of the actual Festival’s talk-ins, I said that it was odd to find Peter Porter missing from various standard anthologies of Australian verse, I was given the clear impression that P.P. had simply got what ...

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