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“... were conducted in the year from April 1985; the interviewees were asked to discuss a poem (Wallace Stevens’s ‘Not Ideas about the Thing but the Thing Itself’) and were shown transcripts of the preceding interviews – devices intended to help ‘make this a book of interviews, rather than simply a set of interviews thrown together as a ...”

“... many but elusive, its friends are few but prominent. At one point, Poirier disputes the merits of Wallace Stevens with Harold Bloom, ‘a critic in whose work I take the most admiring interest’. Critics in whom he takes an admiring interest tend to reappear on the dust-jacket taking an admiring interest in him. There is nothing wrong in enlisting ...”

“... At one point, Travis, played by Malcolm McDowell, passing the vodka to his friends, Johnny and Wallace (David Wood and Richard Warwick), asks: ‘When do we live? That’s what I want to know.’ Elsewhere in the film, when the three of them are fencing together, playing at fighting, Travis gets cut on the hand, and is ...”

“... which is where you’ll be shopping if you decide to follow your dream of becoming the next David Foster Wallace – who did have to work, incidentally, like the rest of us. (At Pomona College, Foster Wallace’s ‘Prose Fiction’ class consisted entirely of getting students to ...”

“... imagine an alternative view of the world. Booth asked me if I had read ‘Sunday Morning’ by Wallace Stevens. I hadn’t, but went straight to my room and found it in a cheap anthology bought not long before in a thrift store. ‘There is not any haunt of prophecy,’ Stevens writes, ‘nor cloudy palm/Remote on heaven’s hill, that has endured/As ...”

“... and he would return to the displacement over and over (and over) in his fiction. Here are the boy David Kern’s parents, George and Elsie, fighting about it in the early story ‘Pigeon Feathers’: Mother’s anger touched David’s face; his cheeks burned guiltily. Just by staying in the living room he associated ...”

“... Franzen, an apostate from their ranks, helped make the ex-theorist schlub a stock character. David Foster Wallace, a true believer of sorts, envied Dostoevsky’s pre-postmodern sincerity. Then everything seemed to get turned round and I was suddenly too old to be able to speak with confidence about the totality of ...”

“... disputes and nearly three hundred maritime boundary disputes of which 49 were (and are) active. David Colson, a legal adviser in the State Department, observes that the Falklands crisis was ‘an example of how not to control or resolve a sovereignty dispute between states’: he goes on to relate how some countries have set aside doctrine and pride in ...”

“... would have enjoyed the different ways contemporary writers climb over or slither round him. David Foster Wallace claimed ‘The Balloon’ made him want to be a writer; Miranda July keeps Flying to America on her bedside table; Jenny Offill returns regularly to ‘Not-Knowing’; and George Saunders has filled the ...”

“... so on. Then he returns with elliptical reports from which the tribe’s younger storytellers, from David Foster Wallace on, set about extracting a style and a tone attuned to new ways of feeling and not feeling. One constant throughout these risk-filled spirit voyages has been DeLillo’s superbly take-it-or-leave-it posture ...”

“... He’s invariably linked with a group of US fiction writers around his age that includes the late David Foster Wallace, George Saunders, Jonathan Franzen and Jeffrey Eugenides. There are a few things that set Antrim apart: he’s Southern; his strongest affinity to a writer in the previous generation is to Donald ...”

“... the Paris Review, McSweeney’s and the New Yorker. He is also a journalist, specialising, like David Foster Wallace, in first-person-singular expeditions into curious reaches of American culture. Tower’s non-fiction adventures have included a bicycle odyssey along the New Orleans levee a year after Hurricane Katrina, a ...”

“... a one-tome definition of what the American novel (for good or ill) so often seeks to be nowadays. David Foster Wallace and Kurt Anderson step aside: today’s big novel is the type of book which aims at bigness with the notion that all other big books are folded inside. The example is not War and Peace but the World Wide ...”

“... North London suburb and in New York, bears the impress of American writers like Dave Eggers and David Foster Wallace, clever, nervy exhibitionists, IQs-with-i-Books, guys who, as Smith has put it, ‘know things’, writers with a gift for speedy cultural analysis, whose prose is choppy with interruption. The Autograph ...”

“... of which he judges ‘the most underrated’ Joan Rees’s and ‘the most overrated that by David Cecil’. After this apparent jettisoning of pusillanimity, readers are in for a shock when they turn to the notes which, with divisions to indicate roughly which section of the text they refer to, are clumped in read-straight-on format at the end of the ...”