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“... On the afternoon of 15 November 1979 the Prime Minister announced in the House of Commons that Anthony Blunt, retired Surveyor of the Queen’s Pictures, fellow of the British Academy, former director of the Courtauld Institute, and the most influential figure in the establishment of art history as an academic subject in this country had indeed, as Private Eye had intimated a week before, and as Fleet Street had long been whispering, spied for the Soviet Union ...”

“... with the essences belonging to, for example, Peter Ackroyd, Anita Brookner, William Boyd, Anthony Burgess and Peter Hall. This is typical, alas. First repetition: Kenneth has left Paris, even though his father has promised to introduce him to the ‘agent who had forced Tsvetaeva’s husband to work for the GPU’. Kenneth prefers the Midwest ...”

“... can make of the plight of the virtuous spy, whether wild or sober, dedicated or not, Blunt or Burgess? There is nothing much here to conflict with the stereotypical idea of the Thirties, the afternoon men in their Soho clubs and hideouts, their lust for working-class boys, their not wonderfully well-informed Marxism, and their easy way of arranging ...”

“... he provoked that an attempt to publish a festschrift to him in 1954 was abandoned when only Anthony Powell and Raymond Mortimer agreed to contribute. He was deeply disappointed, that unlike Hardy and Galsworthy, he was never given the Order of Merit, having to settle instead for being made a Companion of Honour. ‘I am the greatest living writer,’ he ...”

“... to the intelligence services are governed by two separate obsessions. The discovery of Maclean, Burgess, Philby and Blunt as Soviet agents has produced a long-lasting preoccupation with hunting down moles, ‘agents of influence’ and the like. Newspapers love it, the public are interested, and the whole business is endlessly stoked by the more enfevered ...”

“... In Alan Bennett’s A Question of Attribution, Anthony Blunt instructs Her Majesty the Queen about pictures. ‘Because something is not what it is said to be, Ma’am, does not mean it is a fake.’ ‘What is it?’ she asks. Sir Anthony gingerly suggests: ‘An enigma?’ Here as in Tom Stoppard’s Hapgood, the figure of the spy illustrates the irreducibility of human and aesthetic mystery, the contradictions that all personalities enshrine, the confusion that no amount of pedantic energy can resolve ...”

“... In Anthony Burgess’s latest novel, Earthly Powers, there is a parody of a Betjeman poem. Thus kneeling at the altar rail We ate the word’s white papery wafer. Here, so I thought, desire must fail, My chastity be never safer. But then I saw your tongue protrude To catch the wisp of angel’s food. In a brilliant piece of word play the angel food cake of the children’s tea-party becomes the Host: sex, worship and childhood come together on the tip of the darting tongue that demurely holds it ...”

“... Staff, becoming a colonel and an OBE at 29. Runciman’s war was odder and less distinguished. Guy Burgess, his first pupil at Cambridge, recommended him in 1940, on the strength of his linguistic skills, for the post of press attaché in Sofia. After the Germans invaded in 1941 he withdrew with the rest of the British legation to Istanbul, where he spent the ...”

“... in mid-Thirties Vienna; and the Cambridge-educated ‘Magnificent Five’ – Philby, Blunt, Burgess, Maclean and the ‘fifth man’ (‘revealed’ with too much fanfare by Andrew/Gordievsky), John Cairncross. These men, and others, performed prodigies of courage and treachery, yet their work was more often than not ignored, misinterpreted or brutally ...”

“... and with the demise of the Labour Government, the Communist culprits were hunted down. Guy Burgess and Donald Maclean fled to Russia in 1951; Kim Philby was finally exposed in 1963; Anthony Blunt in 1979. The first three took refuge in Russia. Blunt died in disgrace, deserted both by the Leftist friends of his youth ...”

“... private secretary, John Cairncross, was a Soviet agent, the Kremlin got a copy too. Similarly, Guy Burgess, an intimate of Liddell’s whose name occurs often in these pages, was not, as officially stated, working for the FO but was secretly seconded to MI5 throughout this period – with obvious consequences. Kim Philby was working next door to Liddell and ...”

“... There are at least three books at present being written on Anthony Blunt and the Cambridge Spies. Already the sleuths are nosing out the Fifth Man – the master control, an older don who must have recruited them. In 1977 the Times proclaimed to a sceptical public that he was Donald Beves, the delightful tutor of King’s known to generations of undergraduates who performed on stage in the ADC, the Marlowe or the Musical Society, and whose interest in politics or indeed in ideas was negligible: clearly his bonhomie disguised an Iago ...”

“... the 20th century likely to become known as the ‘Conservative century’? This is the claim which Anthony Seldon and Stuart Ball advance in the wide-ranging and thought-provoking volume which they have edited. ‘Either standing alone or as the most powerful element in a coalition,’ they write, ‘the party will have held power for seventy of the hundred ...”

“... louche artistic folk in Twenties Paris, and a homosexual journalist who drank in Moscow with Guy Burgess. But there are quite a number of people who take a different view, and at this point I ought to come clean and admit that I was one of those approached three years ago by Faulks when he was considering a book on the subject of early death and unfulfilled ...”

“... to know this), scouring Eton with a literary purpose in mind, came face to face with a boy called Anthony Eden and put him down on paper as Harry Wharton. (In fact, this isn’t too wide of the mark. Charles Hamilton has left a record of how he went about the business of assembling his characters, picking up a podgy frame here, a pair of loud trousers ...”