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“... and Bellamy Foster in the US, as well as for European figures like Elmar Altvater in Germany and Michael Löwy and the late André Gorz in France, when he admitted that his work dwelt on ‘the reconstruction of Marx’s approach rather than its application’. Ecomarxism spent its first decades in methodological throat-clearing, outlining but not yet ...”

“... road. The Hermitage in Rathfarnham, where he moved the school in 1910, was set in fifty acres of wood and parkland, with a river and a lake near its boundary. For Pearse, the place had a different tutelary spirit: not Cúchulainn, but the ghost of Robert Emmet, who had led an ill-fated rebellion in Dublin in 1803 and was publicly executed in the city ...”

“... arrival, when the non-Aryan proportion in its membership had seemed to many unnecessarily high.’ Michael Barber, Powell’s earlier biographer, who first pointed out these passages, sensibly did not make too much of them. Like offhand dismissals of democracy, casual expressions of antisemitism were comme il faut in the upper classes of the period, a lightly ...”

“... shaving soap in a wooden bowl, the City office with highly polished desk and leather blotters and wood panelling and the secretary in an anteroom who patched us through on the telephone, the beautifully trimmed Rover Coupé with crackled leather seats, the subscription to the Spectator, the pot of Gentleman’s Relish in the fridge.What you think you ...”

“... talked up withdrawal from Europe long before Ukip appeared on the scene. In the early 1980s, in Michael Foot’s Labour Party, quitting the EEC was policy. When Neil Kinnock took over, Labour embraced Europe, but Mitchell didn’t. His banishment to the back benches as the epitome of old Labour – a socialist, an internationalist and localist rather than ...”

“... A wood engraving​ by the illustrator Joan Hassall, who died in 1988, shows Elizabeth Gaskell arriving at the Brontë parsonage. Patrick Brontë is taking Gaskell’s hand; Charlotte stands between them, arms open in a gesture of introduction. We – the spectators, whose gaze Charlotte seems to acknowledge (or is she looking at her father apprehensively?) – stand in the doorway; the participants are framed in the hallway arch, with the curved wooden staircase behind them ...”

“... binding, ivory it was said, a baptism gift to ‘Jeremy’ and signed by the composer Haydn Wood – a friend of Colin’s parents, I suppose – who’d written the popular tune ‘Roses of Picardy’ in 1916. Above his signature, he’d copied out a few bars from the refrain, along with the words by Fred Weatherly. Maureen always kept a beady eye on ...”