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“... Ricks reviewed Peter Ackroyd’s biography of Eliot in the LRB (1 November 1984; the same year Michael Hastings’s play about Eliot’s first marriage was staged), he remarked: ‘Plainly it is the Tom and Viv bits which we are all likely to home in on.’ In 2022, with the second volume of Robert Crawford’s sensitive ...”

“... These limitations become more apparent when Hitchens writes about the Left. He tears into Michael Foot for his ‘treacly exaggerations’, his awful sentimentality, his Beaverbrook-worship and his ‘glutinous style’. Fine. But the fact that his general angle of attack on Foot is from the left, and his judgment that Foot ‘has never been otherwise ...”

“... jobs). As a manual of good practice it adds to rather than radically supplanting other such works. Michael Balint’s The Doctor, his Patient and the Illness, first published in 1957, makes many similar points about the importance of treating the whole patient rather than the single ailment. Its focus is on the doctor-patient relationship as an important part ...”

“... pretty coarse at the arts of primitive accumulation), the promotions of Charles Keating (S&Ls) and Michael Milken, high priest of the junk bond, now facing ten years in the Federal penitentiary. There’s rarely been a city harder to ‘see’, through a windscreen caked with the alternative myths of the boosters and the noirs, nor one about whose history and ...”

“... not self-conscious. His interest in the naked as a subject in art is, of course, related to this. Robert Hughes, in the passionate and polemical introduction to the catalogue of the London exhibition, quotes Degas, as reported by George Moore, on the subject of his female nudes: ‘I show them deprived of their airs and graces, reduced to the level of animals ...”

“... had possessed the native cynicism of Leigh Hunt himself, or – a rather different kind – of Robert Bloomfield, the rustic poet who in 1804 had been paid nearly £4000 for his two little volumes, he would have ruined his gift but he might have made big money. As it was, his best things are so good because they were not the things he wanted to do. The ...”

“... him. In January, Newsweek was going to run the Lewinsky story, under the by-line of staff reporter Michael Isikoff. At the last minute the editors decided to spike the story as unworthy ‘gossip’. They had lost their nerve. The ensuing Newsweek office battles were leaked (by an e-mail snitch) to Drudge, who promptly made it the subject of his next ...”

“... a physicist and eminent populariser of science told the producer that whereas a genius such as Michael Faraday would have been awarded three different Nobel Prizes had they then existed, Maxwell would only have won one. No room for him on Auntie’s Olympus. I have no idea which of Maxwell’s achievements might have gained this anachronistic reward: his ...”

“... shaman Harry Smith, is arcane, but the critical world has been primed for its reappearance. Robert Cantwell’s When We Were Good and Greil Marcus’s The Invisible Republic – recent accounts of the curious development of American folk music – both devote considerable space to the Smith collection, making impressive claims on its ...”

“... Wordsworth’s genius lay in its own sort of negative capability. The most striking feature of his poetry, as of his personality, is their intense and intimate relations with what always remained outside them. He never seems identified with his own discoveries, even with the drama of his own sensibility. Yet what he writes is subtly and comfortingly self-confirmatory, never more so than when the world, the human heart, the music of humanity, the mountains, are speaking to him (‘as if admonished from another world’, ‘To give me human strength by apt admonishment ...”

“... in ‘The creatures of ice feignt and advance’ (or the truest poetry is the most feigning); on Robert Lowell’s achieving what is rare in him, a telling sequence, in his Selected Poems, ‘Nineteen Thirties’, 25 poems formerly scattered and now finding the arc they were meant for – on all these and on much else (Yeats’s fascism, and ...”

“... leaves the historian with a number of quibbles – in particular, the leading role assigned to Michael Collins in all the events of 1919-22. Yet on fundamental interpretation Kee is less dogmatic and, above all, less Anglo-centric; greener here, indeed, than in his previous book, The Green Flag. It is not simply that he adds an Irish dimension to the ...”

“... mid-life reaction-to-the-reactionary. After all, the world has seen such things before; remember Robert Frost’s ‘I never dared be radical when young/For fear it would make me conservative when old.’ In fact, however, it is nothing of the sort. Norris is a passionately engaged radical critic of the Anglo-American Establishment. It is precisely because ...”

“... Durrell); butter news editor: Walter Lowenfels; department of metaphysics and metapsychosis: Michael Fraenkel; fashion editor: Earl of Selvage (aka Henry Miller); and Lawrence Durrell and William Saroyan as the literary editors. As Dearborn notes in a wonderful chapter on life at the Villa Seurat, Miller’s Paris address, ‘most of the editors were ...”

“... The person who elicited his strongest feelings was a young officer met during the war, called Robert MacGill (Hogg ‘loved him’, he said, ‘almost like an adopted son’). Hogg’s conduct was wild, irascible and volatile, both verbally and physically (he got into a number of fist fights at Oxford). He also had what another brother, Neil, described as ...”