At the Royal Scottish Academy
Nicholas Penny: The Age of Titian, 21 October 2004
“... which not only evoke the type of frame that might originally have surrounded the painting, but may even be considered as an abstract or epitome of Bassano’s tightly interlaced composition, with the browns, yellows and whites of the painting matched by the partly gilded and silvered walnut.In another room, however, daylight has been cut out to protect ... ”