Search Results

“... It would be an exaggeration to say that when David Hume, at the age of 26, came back to London after his retreat at La Flèche, he had already thought all the thoughts he was going to think. On the other hand, there is a sense in which the famous Hume, who lived among the learned and judicious in Edinburgh so comfortably and, one might say, so smugly in his 18th-century way, was a superfluity ...”

“... to a version of style that negates itself and calls itself Austerity. (The opening chapter of David Kynaston’s Austerity Britain, 1945-51 is called ‘Waiting for Something to Happen’.) It can take a while for a decade to have a style. The 1950s, for example, weren’t really the 1950s until the 1960s so clearly turned out to be the 1960s.* We know ...”

“... When David Wilkie’s ‘Village Politicians’ first appeared at the Royal Academy in 1806 it caused a sensation. Less than ten years after the end of the French Revolution, less than ten years before Waterloo, we find a room of common Scots not only arguing the political toss but represented in a style that seeks neither to caricature them nor to elevate them ...”

“... a pot-boy (Bob Gliddery in Our Mutual Friend), seven surgeons, three dance-masters, a reporter (David Copperfield), a tobacconist (Mrs Chivery in Little Dorrit), two fishermen, 32 teachers, four blacksmiths, six undertakers, 45 lawyers and sixteen landladies, several magistrates, a weaver (Stephen Blackpool in Hard Times), an umbrella-maker (Alexander Trott ...”

“... eel-like name), who was ‘large, foreign, frightening and ravenous’, according to the historian David Hanlon. Nahn Samwohl was the evil version of the smaller, friendlier-looking freshwater eels worshipped by Pohnpeians. He lived on one of the islands of Nan Madol in a well, connected to other islands by underwater tunnels. Twice a year, in a ceremony ...”

“... is the reader. We stare at and listen voyeuristically to the life of a young professional man, David, living alone in rented South London rooms. Ridgway switches to a neutral register. The normal novelistic hierarchy of significance, in which everything noticed is important and everything unnoticed isn’t, ceases to apply. Which of our observations of ...”

“... Lindo), Eddie (Norm Lewis), Melvin (Isiah Whitlock Jr) and Otis (Clarke Peters). Paul’s son David (Jonathan Majors) has belatedly joined them. They have been trekking through the jungle for a day or two and (with the exception of David) aren’t as young as they were. Tempers fray, the men pick on each other’s ...”

“... other novels and stories. Such children are at the centre of William Trevor’s tenth novel and David Profumo’s first; or rather, Trevor seems to have chosen to place young Tom both centrally and peripherally (as children often are, in fiction and in life), while Profumo makes young James the very eyes and ears of his book, though distancing him by ...”

“... A student had decided to write something about London poetry – was there any? He’d toyed with David Gascoyne’s A Vagrant (‘They’re much the same in most ways, these great cities’), but decided that Paris was the principal focus there. He couldn’t work up much enthusiasm for the post-Olsonian outpourings of the Seventies, most notably Allen ...”

“... miscellaneous essays by MacCarthy, all of which have been collected before, and a memoir by Lord David Cecil, of which a portion appeared as preface to an earlier selection. Desmond MacCarthy was probably the best-known London literary journalist of his time, and it is clearly the view of publisher and editor that his influence can be extended into our ...”

“... substantial biographies of Jane Austen within a decade smacks of excess. But, compared with Lord David Cecil’s A Portrait of Jane Austen (1979) and John Halperin’s The Life of Jane Austen (1984), the work under review is in so many ways the best that it deserves to make its mark. The three authors, moreover, approach their subject (or subjects) from ...”

“... in the company of a boy, smaller and younger than ourselves, a fragile boy with ginger hair called David. I think we thought of him as ‘our boy’. We bossed him. Occasionally, when he didn’t walk straight or carry our bags or speak when we wanted him to, we’d slap him or hit his hands with a ruler. We had to pass through fields to get to school, with ...”

“... an upper-class socialist. He liked cricket, bridge (with, among others, the ‘Machiavellian’ David Sylvester), chess (with Martin Amis, who felt humbly as if he always had, or anyway always ought to have, the black pieces). Women found him instantly attractive. And he rode a motor bike. The illustrations here are more than adequate reminders of his dash ...”

“... French – still searching for an English publisher), Richard Schickel’s D. W. Griffith and now David Robinson’s Chaplin. All have one vital quality in common, and are preceded in this respect by Alexander Walker’s book on Garbo: they depend far less upon books of film history than upon first-class and first-hand research. Instead of a furtive glance at ...”

“... can be tolerated, and might even be enjoyed, as piano-players in the funhouse of letters. Early in David Plante’s diaries, we find him tinkling away, dropping names in basso profundo, as if knowing people and knowing what they do in private can be the thing that makes one special. He is 28 years old when he comes to London from the US (a little younger than ...”