Horrible Dead Years
Christopher Prendergast, 24 March 1994
“... a quest for ‘communion’, a social equivalent of drug-induced intoxication. In the abstracted, anonymous spaces of the city, however, ‘community’ is what is never found. Baudelaire enters his city only to leave it (literally in the case of the late move to Brussels). He is often seen as the harbinger of the poet of the open road, always on the move ... ”