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“... other but with all of it ultimately deadening. The story appeared in 1960 in Kenyon Review, where Robert Lowell would very likely have seen it, and where he would, I suspect, have found the penultimate line of his poem ‘The Flaw’, addressed to a woman lying beside him: ‘Dear Figure curving like a question mark’. Callisto’s girlfriend ‘lay like a ...”

“... vast readership once he left the scene, but here too things didn’t work out as planned. In 1967, Robert Hill, an editor at Pope’s American publisher, J.B. Lippincott, decided to give another writer he’d spotted a chance to fill the gap in the market. He wrote to Patrick O’Brian, who duly signed a contract headed: ‘Untitled novel about an 18th-century ...”

“... Box files. Sticky white circles to reinforce the holes made by paper punches. Paper punches. Green string tags to go through the holes. Labels. So many blank labels. White, coloured, all shapes and sizes. And a mechanical labeller with plastic tape to emboss. More than enough supplies so that if a thing is done wrongly, spoiled or not quite ...”

“... seems to have left him a parting gift: a small compass that William’s most recent biographer, Robert Richardson, takes as a hint that her lover orient himself in her direction.* This may be over-reading – William was an enthusiastic hiker – but the temptation is understandable: both before the marriage and for more than 30 years afterwards, she is the ...”

“... script realised in film, the skiing drama Downhill Racer, directed by Michael Ritchie and starring Robert Redford. Solo Faces is the story of a rock-climbing drifter and his friend and rival and their pursuit of glory through heroic feats on the mountain. In the earlier A Sport and a Pastime, the quarry, the struggled for peak, is perfect sexual love, though ...”

“... book. Demand for a new translation gathered force, but the publishers resisted. In 1988, Ashbel Green, then Knopf’s vice president and senior editor, summarised their view: ‘Our feeling is that the impact of de Beauvoir’s thesis is in no way diluted by the abridgment.’ After all, the book was making money: ‘It’s a very successful book that we ...”

“... have been better reflected in another abstract perfume, Chanel No. 19, invented for her by Henri Robert in December 1970, the month before she died. It was named for her birthday, 19 August. Tania Sanchez describes it as ‘a striking and admirably dissonant portrait’ of the 87-year-old Chanel, ‘from the silvery hiss of its nail-polish-remover beginnings ...”

“... their muddy hobnailed boots go splashing into a wet and peaty meadow bordered with rich, green, swaying trees, cut by a savage wind, needled with driving rain, grey cloud looming over. Cheerfully, quickly, methodically, they roll the banners, for they are expensive banners . . . bought with the weekly threepences and sixpences of working men. Four ...”

“... dark pocket at the outer edge the future king of England lowered his eyes to shake the hand of Robert Mugabe. We live in cultish times – not to say, occultist ones – in which it seems not unreasonable for people, en masse, to weep in the streets for public figures they previously cared little about. Pope John Paul II was pretty much like that ...”

“... Literary imagination here reconfigures the territory by reviving memories of this site or that. Robert Macfarlane has pointed out that the verb ‘to write’ refers, via the old English Writan, to a kind of incisive track-making. Thus one would originally ‘write’ by drawing a point across a surface of wood, stone or earth: by furrowing a track. In ...”

“... and Invasion of the Body Snatchers (1956) – played a role in connecting the happenings to little green men. There were also influential works of non-fiction, such as a widely read article in Life, ‘Have We Visitors from Space?’, which appeared in April 1952. That summer, the number of reported sightings ‘skyrocketed’. It wasn’t long before people ...”

“... style, echoing Aldous Huxley’s Crome Yellow, whose satirical nihilism was all the rage. Pym and Robert Liddell, a close friend from Oxford, wrote reams to each other in Ivy Compton-Burnett’s brittle manner, relishing her exposure of the tyranny of family relations; she had a Stevie Smith phase too, mimicking the bubbling prose of Novel on Yellow ...”

“... except as a version of what television has accustomed us to call ‘fictionalised documentary’. Robert Phelps was able to construct a perfectly coherent autobiography from Colette’s scattered reminiscences, and present The Earthly Paradise as if it were, not an imaginative parallel to her life, but the real thing. All Colette’s biographers, even ...”

“... a large bulbous structure that contains its vital organs, including three hearts which pump blue-green blood. A tubular siphon is attached to the mantle, which the octopus uses variously for jet propulsion, respiration, excretion and inking predators. A full-grown octopus can range in size from the Giant Pacific, with its six-metre arm span, to the 2.5 ...”