At Tate Modern
Rosemary Hill: Alexander Calder, 3 March 2016
“... backgrounds, which glow agreeably but are best read from one viewpoint and to that extent are self-defeating. The most convincing works of the mid-1930s are those that recall another kind of non-art moving object, the orrery. In 1922, in a boat off Guatemala, Calder had seen ‘a fiery red sunrise on one side and the moon looking like a silver coin on the ... ”