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“... the meaning of nakedness, anticipated by a decade or so the Ginsberg party trick that shocked John Lennon and George Harrison at the dawn of Swinging London. When I interviewed one of the Six Gallery poets, Michael McClure, in 2011, he recalled earlier episodes of Dionysian frenzy with Gerd Stern and a thrash of ‘belly dancers and bongo drums’. Nights ...”

“... who was then 52 and lived in Collioure on the French part of the Mediterranean coast, just north of the border with Catalonia. He had published three gloomily introspective novels for adults, one of which had been praised by Delmore Schwartz, and he was an elegant, speedy translator, most recently of Simone de Beauvoir. Further information was in short ...”

“... to practise my newly acquired skill. My parents were both readers and Dad took the periodical John Bull, the books they generally favoured literature of escape, tales of ordinary folk like themselves who had thrown it all up for a life of mild adventure, a smallholding on the Wolds, say, or an island sanctuary, with both of them fans of the naturalist ...”

“... pleasant opportunity to tell people twice their age what to do. At the time when the undergraduate John Henry Newman was delighting in the inexhaustible metaphorical riches of Aeschylus at Oxford, the students of Maynooth were being fed a philistine diet of papist apologetics and garbled chunks of scholasticism. It was well nigh impossible, given this dismal ...”

“... The dust jacket of the final volume of Bevis Hillier’s epic life of John Betjeman shows the poet laureate seized by giggles. In this lengthy coda to Hillier’s authorised biography Betjeman appears in many lights, but he’s rarely carefree. ‘Nothing frightens me more than the thought of dying,’ he told a friend in 1958 ...”

“... quite able to make up his mind.The dependence​ of African states on countries in the global north is a recurring theme in Bulawayo’s writing. The publication of We Need New Names led to a debate about the state of publishing in Africa; the Nigerian novelist Helon Habila criticised its ‘Caine-prize aesthetic’ and questioned whether such novels did ...”

“... children had been thrown, was ‘sacred ground’. Dyer, like Neill and the equally psychopathic John Nicholson, was notable for his piety. Wagner might also have reached further back, to Rollo Gillespie’s execution of hundreds of unarmed prisoners in a fives court after the mutiny at Vellore in 1806, which recalls Dyer’s brutal floggings on the tennis ...”

“... but, at the same time, there was a backlash over plans to build a university campus on the north side of the river. People were saying: “Hang on, if you do that there will never be a shipyard on the Wear again.” And it was bonkers, because the shipyards had gone for ever, but there was this reluctance to leave them behind.’The ...”

“... uncandid class-consciousness of our domestic criticism. On our map, there are no compass-points. North, for instance, does not mean good. *** We say to France: AUT TACE AUT LOQUERE MELIORA SILENTIO – either shut up or say something worth saying. A Poem against Barn Owls Some people think that barn owls Are an endangered species. But they are found all ...”

“... Pietro Germi, Anatole Litvak, Jean Painlevé, Gillo Pontecorvo, Nicholas Roeg, George Rouquier, John Schlesinger, Henri Storck, John Sturges and Arne Sucksdorff. And what are we to make of those who are mentioned in the text, but not favoured with individual entries? Pioneers like the Lumière brothers; veterans like ...”

“... Splendid​ specimens of the untrousered, strong-legged Celt’. That was what John Stuart Blackie, the founder of Scotland’s first chair of Celtic studies in 1882, liked to see about him in the Highlands. In Celts: Art and Identity (at the British Museum until 31 January, then at the National Museum of Scotland from 30 March until 25 September) he would have met several untrousered, strong-legged giants ...”

“... about – in the parlance of creative writing schools – what they “know”.’ She quotes John Gardner saying that ‘great writers tell the truth exactly – and get it right.’ But, she says, ‘for the modern British – more to the point, English – novelist, this notion of truth is a little obscured and inaccessible.’ Historical novels and ...”

“... and there was nothing like empire to give vanity rocket-like lift. In Karsh’s photograph of John Buchan, who was governor of Canada in the 1930s, the wildly popular novelist wears a North American Indian war bonnet, his weathered face is in semi-profile, he’s wearing gloves, and he looks as if he could take on an ...”

“... preachy bits of text reminding us of the ‘migration’ of African-Americans towards jobs in the North and the difficulties of race relations. The lecturing effect is mitigated by the magnificent Jacob Lawrence paintings in the background, and effectively collapses when the text asserts that ‘change was inevitable.’ One major point of the movie is how ...”

“... I discover, admitted to his French translator that he had never spent much time in Shropshire), John Clare, A.A. Milne, Shelley, Blake, Eliot (Macavity, not Prufrock) and – thanks to Seamus Heaney and Ted Hughes’s Rattle Bag, and Geoffrey Grigson’s anthology Unrespectable Verse – a swarm of lesser-known poets.Among these has been Charles ...”