On Robert Silvers

Andrew O’Hagan: Remembering Robert Silvers, 20 April 2017

“... and before I even read the piece I felt victorious, because the issue opened with an essay by Elizabeth Hardwick. The glamour of the moment was helped when Barbara Epstein came to my party at the Old Town Bar. She walked in clutching a copy of the paper and proceeded to smoke all my cigarettes, speaking about Lizzie and Wystan and how a good piece was ...”

Figureheads

Clare Bucknell, 19 November 2020

“... distract sailors or bring bad luck at sea – which was just as well, because a topless carving of Elizabeth Fry or Florence Nightingale would certainly have been frowned on. Fry, who adorned a Victorian merchant ship, is depicted wearing a piecrust-collar shirt and bulky masculine jacket; Nightingale, from a similar vessel, has a capable-looking face with ...”

Give her a snake

Mary Beard, 22 March 1990

Cleopatra: Histories, Dreams and Distortions 
by Lucy Hughes-Hallett.
Bloomsbury, 338 pp., £16.95, February 1990, 0 7475 0093 2
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“... de force. Most memorable is the chapter which looks at Joseph Mankiewicz’s film Cleopatra, the Elizabeth Taylor and Richard Burton extravaganza of 1962. Hughes-Hallett shows how the extraordinary popular appeal of this film was related to the personalities – as they were perceived by the public – of Taylor and Burton themselves. They did not just play ...”

Burnished and braced

Alethea Hayter, 12 July 1990

A Second Self: The Letters of Harriet Granville 1810-1845 
edited by Virginia Surtees.
Michael Russell, 320 pp., £14.95, April 1990, 0 85955 165 2
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“... reserved, not for adultery, but for indiscretion. She condoned her father’s liaison with Lady Elizabeth Foster, accepted his subsequent marriage to her, but blamed her severely for her impudence in publicly avowing the parentage of their illegitimate children. So far, Lady Granville was only conforming to the standards of her coterie. But her judgment in ...”

I am them

Richard Wollheim, 7 October 1993

Love of Beginnings 
by J.-B. Pontalis, translated by James Greene and Marie-Christine Régius.
Free Association, 260 pp., £13.95, May 1993, 9781853431296
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“... of a novel by Aldous Huxley or Simone de Beauvoir. It is about as full of gossip as a poem by Elizabeth Bishop. In composing his autobiography, Pontalis made a very explicit choice of genre. He cast it, deliberately and decisively, in the lyrical, not in the narrative, mode. Indeed, not only would it be impossible to reconstruct even the outlines of ...”

Jours de Fête

Mark Thornton Burnett, 9 January 1992

Shakespeare’s Festive World: Elizabethan Seasonal Entertainment and the Professional Stage 
by François Laroque, translated by Janet Lloyd.
Cambridge, 423 pp., £45, September 1991, 0 521 37549 5
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“... fraternities to royal progresses. Festivity could be used to serve political purposes too, as Elizabeth I and James I realised: they resurrected older festive traditions or invented new ones, developing them into cults and electing themselves as the chief divinities. In his discussion of periodic jollifications Laroque is judicious, superbly informed and ...”

Christina and the Sid

Penelope Fitzgerald, 18 March 1982

Christina Rossetti: A Divided Life 
by Georgina Battiscombe.
Constable, 233 pp., £9.50, May 1981, 0 09 461950 6
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The Golden Veil 
by Paddy Kitchen.
Hamish Hamilton, 286 pp., £7.95, May 1981, 0 241 10584 6
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The Little Holland House Album 
by Edward Burne-Jones and John Christian.
Dalrymple Press, 39 pp., £38, April 1981, 0 9507301 0 6
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“... is deliberately subdued in tone, Paddy Kitchen’s novel The Golden Veil is flat. The subject is Elizabeth Eleanor Siddall (or Siddal, as Rossetti preferred to spell it), the milliner’s apprentice who became Beatrice to Dante Gabriel. Beatrice, or the Sid, was a ‘delicately organised creature’ who died of a nasty miscarriage and chloral poisoning when ...”

Fenmen

Ronald Hutton, 5 August 1982

Fenland Riots and the English Revolution 
by Keith Lindley.
Heinemann, 259 pp., £16.50, March 1982, 0 435 32535 3
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Commonwealth to Protectorate 
by Austin Woolrych.
Oxford, 433 pp., £22.50, March 1982, 0 19 822659 4
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“... apparent that such projects were attempted before Charles’s reign, by a client of Burghley under Elizabeth and by the Earl of Exeter under James. They were advocated by such ‘apolitical’ writers as Camden. During the 1630s the promoters of the works included the King and courtiers, but also a local entrepreneur, Sir John Monson, while the largest scheme ...”

Water Music

Allon White, 2 September 1982

Oh what a paradise it seems 
by John Cheever.
Cape, 99 pp., £5.50, July 1982, 0 224 02930 4
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Collected Short Stories 
by John Cheever.
Penguin, 704 pp., £4.95, March 1982, 0 14 005575 4
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So long a Letter 
by Mariama Bâ, translated by Modupé Bodé-Thomas.
Virago, £5.50, August 1982, 0 86068 295 1
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A joke goes a long way in the country 
by Alannah Hopkin.
Hamish Hamilton, 157 pp., £7.95, July 1982, 0 241 10798 9
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“... a Letter has qualities which put Cheever’s playful fictions into perspective. It reminds me of Elizabeth Smart’s By Grand Central Station: this, too, is an intense elegy of loss and rejection. It has the same grief, the same courage, and the same need to counter self-pity by a hard retelling of bitter memories. In her middle age and after 12 ...”

North and South

Linda Colley, 2 August 2012

“... radicalism. The pattern of industrialisation served to publicise the divide, as suggested by Elizabeth Gaskell’s novel North and South, published in 1855; while in the early 21st century, Conservative MPs have become a scarcely less endangered species in north-eastern England than they are in Scotland, and are under pressure too in the ...”

Ode on a Dishclout

Joanna Innes: Domestic Servants, 14 April 2011

Labours Lost: Domestic Service and the Making of Modern England 
by Carolyn Steedman.
Cambridge, 410 pp., £21.99, November 2009, 978 0 521 73623 7
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“... Catching the voices of servants themselves is not easy, though the occasional one rings out. Elizabeth Hands, writing about the disdainful surprise that news of her writing met with, was especially tart: ‘A servant write verses!’ says Madame du Bloom ‘Pray what is the subject – a Mop or a Broom?’ ‘He, he, he,’ says Miss Flounce: ‘I ...”

On Douglas Crase

Matthew Bevis, 5 December 2019

“... utterance and identity that must have come with the first books of Wallace Stevens (Harmonium) and Elizabeth Bishop (North and South).’ The book they were talking about was Douglas Crase’s The Revisionist. Out of print for almost forty years, it has now been reissued (Carcanet, £12.99) in a volume that also includes Crase’s only other collection of ...”

Short Cuts

Jonathan Parry: Harry Goes Rogue, 6 February 2020

“... by precedent and by the constant repression of excess, partisanship and enthusiasm. Ever since Elizabeth I sacrificed her love life for the stability of the realm (deliberately casting shade on her lusty father’s reputation in the process), success as a monarch has been defined in popular culture largely as the uncomplaining suppression of private ...”

Forster in Cambridge

Richard Shone, 30 July 2020

“... worked at Warhol’s Factory in New York, tangible evidence of which was a silkscreen head of Elizabeth Taylor on his wall. He was devoted to Forster and would often retell ‘Morgan’s latest’ bon mot or lightly scathing comment on one of the fellows, on whom he turned a rather sharp eye (including Michael Jaffé: ‘I can’t think Rubens would have ...”

Diary

Jenny Diski: The Je Ne Sais Quoi, 15 December 2005

“... of something horrible that was sticking to them. A spectacular daube at a dinner party, recipe by Elizabeth David but with a freehand addition by the cook, had it – lips this time pursed, thumb and forefinger connected to indicate perfection. A work of art, of course, had a je ne sais quoi, spoken with wide eyes and lips apart to perform a look of ...”