Diary
Perry Anderson: On E.P. Thompson, 21 October 1993
“... him as politically more intransigent than less mystic opponents of the Tory war regime. He pursued Robert and Leigh Hunt venomously, for having taken his paintings of Nelson and Pitt to be icons of reaction (a mistake, if it was one – Blake himself never said so – shared by not a few art historians), accusing them of responsibility for a war they were more ... ”