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“... letters have had a following since a small selection was included in the prose collection In the Green Tree (1948): ‘It may be,’ Walter Allen wrote in the New Statesman, ‘that these letters will ultimately take a higher place than either the poetry or the stories for, like Keats’s, they point to a maturity beyond anything their author had been able ...”

“... May 1914, some six months before his late efflorescence into verse at the age of 36, he wrote to Robert Frost of his longing to ‘wring all the necks of my rhetoric – the geese’. He was referring to the over-elaborate style of some of his prose writings, but his first poem, ‘Up in the Wind’, composed on 3 December 1914, opens with a version of the ...”

“... and the other artists who could be considered Yiddish modernists – the painters Nathan Altman, Robert Falk and, for a time, El Lissitzky, the composers Lev Pulver and Moshe Milner, the writer who called himself Der Nister – were defined by the struggle to integrate these two tendencies. ‘Our first imprimatur is our modernism, our leftism and our ...”

“... painted books, ancient chants, plaster statues’, with too much downtime for hunting, cards and green chartreuse. They live in denial until the rising body count forces the abbot to concede: ‘It’s all over … Our life here. The monastic life in England.’ Puzzles and deaths drift up like the snow that eventually transforms Scarnsea into a locked-room ...”

“... by a big bay window; the second, in unpainted plywood, by a huge chimney; and the third, in green asphalt, by giant steps cut into the roof. Typological signalling can be effective as an architectural language, and Gehry often makes it witty. But it can also be manipulative in its Pop imagery and inflated scale.Gehry’s work of the mid to late 1980s ...”

“... expression of Britain’s shifting ‘governing traditions’. Both quote from the memoirs of John Robert Clynes, Labour leader between 1921 and 1922 and lord privy seal in 1924. Reflecting on meeting George V, Clynes could ‘not help marvelling at the strange turn of Fortune’s wheel’ that had brought him and his colleagues ‘to this pinnacle beside the ...”

“... contributed to the undermining of Britishness. One reason for this, as the Party’s historian Robert Blake comments, is that Tories have always tended towards English nationalism, enjoying electoral paramountcy in the Southern counties, but possessed of far less secure roots in the North or in Wales or in Scotland. Predictably, therefore, the recent ...”

“... On its inside wall was a hand-painted scroll featuring the famous couplet from ‘To a Louse’ by Robert Burns: ‘O wad some power the giftie gie us/To see oursels as ithers see us.’The documents Barr and Painter rescued from the Broadway are now in the Moving Image Archive in Glasgow’s Kelvin Hall, once the home of the city’s annual carnival and ...”

“... bold Fenian men’ or complaining (after 1921) of the bondage which shackles one of her ‘four green fields’, this plangent yet bloodthirsty crone is as worn a cultural token as those related feminine stereotypes, Dark Rosaleen and Cathleen Ní Houlihan. In the rapidly modernising Ireland of satellite TV and legalised divorce, she might seem an exhausted ...”

“... way palm oil was later positioned as a healthy alternative to trans fats and, in the form of ‘green’ biofuel, as an ethical alternative to fossil fuels. It has also been used to create detergents advertised as being ‘plant-based’, ‘environmentally friendly’ and ‘natural’. The marketing of Price’s candles was, according to Robins, one of ...”

“... courted Putin scarcely less, but with fewer economic trumps in hand. Within Europe itself, the Red-Green government in Berlin, for all its well-advertised generational lack of complexes, never rocked the boat in the way its Christian Democrat predecessor in Bonn had done. Since 1991, in fact, there has been no action to compare with Kohl’s unilateral ...”

“... it.’ Aiken was also the recipient of this meditation: ‘The idea of a submarine world of clear green light – one would be attached to a rock and swayed in two directions – would one be happiest or most wretched at the turn of the tide?’ This fancy probably owes something to some strenuous lines in Antony and ...”

“... a member of Shakespeare’s company speaking so dismissively – unless perhaps in some fit of green-room bitchiness – of a work that commanded wide public interest and respect. In 1598 Francis Meres named Richard II first among the tragedies by Shakespeare that demonstrated his and the nation’s theatrical excellence. In 1600 John Bodenham’s and ...”

“... here. More than two hundred years later, this sense had not yet faded; with a cheeky rhyme, Robert Burns attributed such devices to the devil: ‘Then you, ye auld, snic-drawing dog!/Ye came to Paradise incog/An’ play’d on man a cursed brogue.’ By the time Burns was writing, ‘brogue’ also commonly described ‘a rude kind of shoe generally ...”