Search Results

“... is called a ‘savage and deformed slave’ in the Folio edition of The Tempest, acknowledge that white supremacy has a long prehistory.In some of the most striking recent work, consent and race-making go together. Fictions of Consent, Urvashi Chakravarty’s study of bondage and servitude in early modern England, which deals with the desire to represent ...”

“... each other. Birt’s first innovation was ‘producer choice’ (recommended by a Major government White Paper in 1992), which required BBC resource departments to charge producers the ‘real’ costs of their services, giving producers the complementary right to shop where they liked. This reform propelled cost-conscious producers into W.H. Smith, where ...”

“... since hardly anybody believes it. (Consider the grotesque recent headline on the subject of Michael Heseltine’s political advisers: ‘THE ADULTERER, THE BUNGLER AND THE JOKER’.) This misses the point. Say that only one person in ten gives any credence to the Sun’s urgings: while the paper is being read by about twelve million people a day (four ...”

“... advantage of being the first in the field. Since he (or rather, his selfless literary executor, Michael Foot) shook off the chains of conventional Cabinet secrecy and got volume one into print, there have been successors. Every minister knew, at the time when all these notebooks and tapes were being compiled round poor old Harold Wilson’s Cabinet ...”

“... Mary Fiddler, a fine blooming lass of 18, her – is like silk itself, and bubbles as white as snow; she is just in her prime, and fit for business, she is broke in this spring, by a well-known gentleman of the turf. Her movements are regular, her pace elegant, and her action is good: and when you mount her, she begins to f—k away to the tune of the ‘Dandy O ...”

“... initialled Amergin. This ur-bard’s ‘Alphabet Calendar’ receives an ingenious reading in The White Goddess, Muldoon reminds us, where its Protean swagger (‘I am a stag: of seven tines/I am a flood: across a plain’) is shown to conceal an alphabet of druidic tree-lore. Amergin probably wouldn’t have recognised the Roman alphabet; Ogham would have ...”

“... creating an emergency in which his true ‘nature’ will reveal itself. It is worth saying (and Michael Moorcock, the chief focus of Greenland’s study, was evidently never tired of saying it) that Science Fiction hoists itself up from the general mass of popular literature only by a positive effort of style. Beside Stanislaw Lem, an Old Master in this ...”

“... have they gone, all these records I’ve had in my head for years, just in case Roy Plomley or Michael Parkinson or Sue Lawley or whoever used to do My Top Twelve on Radio One asked me in as a late and admittedly unknown replacement for somebody famous?’ And what was Rob’s killer move when he was in the process of getting to know Laura in the first ...”

“... to a ceiling light fitting. Lunch was lavish Russian fare, served by a Russian waitress in a prim white blouse and pencil skirt: zakuski, borsch and dumplings. Our hosts were the lawyer and writer Anthony Julius, who said enigmatically that he had ‘committed himself’ to Dau, and one of the project’s producers, Susanne Marian. Khrzhanovsky wasn’t ...”

“... the form they had before his sister cut, forged, destroyed and elided them. In fact, according to Michael Tanner, the work has been so extensive that Nietzsche has been reappropriated by just about everyone: ‘existentialists, phenomenologists, and then increasingly, during the 1960s and 1970s . . . critical theorists, post-structuralists and ...”

“... handiwork. To that effort, this very fine book makes an important contribution. A decade ago, Michael Gordon, a reporter with the New York Times, and Bernard Trainor, a retired US Marine Corps lieutenant general, collaborated on The Generals’ War, still perhaps the best narrative history of the Persian Gulf War of 1990-91. Cobra II, a worthy ...”

“... characters; interrogating motives; pushing beyond his own facility at phrase-making (‘clouds white as cricketers’, the moon ‘like a button on a blazer’) to find plain words for what he has learned. As in any family history, the story at the heart of Blood-Dark Track is the writer’s own, the drama of his struggle to open a path from the present to ...”

“... died, and a fifth is missing. At the start, her daughter has received what may well be the missing Michael’s clothes, washed up from the sea ‘in the far north’ at Donegal. During the course of the play, Maurya tries to persuade her remaining son, Bartley, not to ride off with the horses to the Galway fair, predicting that he, too, will be taken by the ...”

“... who became famous by taking a very public stance against multiculturalism, grew quite excited when Michael Ignatieff’s name came up in his conversation with Buruma. ‘You and I meet for the first time,’ Scheffer says, ‘yet you mention Ignatieff as though I’ve naturally heard of him. You are right, of course. I have heard of him. That’s because we ...”

“... of a family name such as Bellegueule is a challenge to even the most skilful translator. Michael Lucey opts for ‘Prettymug’, which is as close as English gets: a man with ‘une belle gueule’ tends to be rugged and macho, while one with ‘un beau visage’ is handsome in a more standard fashion. When combined with Eddy (very much not ...”