At the Royal Academy
Peter Campbell: Philip Guston fouls the nest, 5 February 2004
“... are melded with the monumental – as though one of Picasso’s neoclassical girls-on-the-beach scenes had been taken over by one of Gillray’s grossest caricatures. San Clemente stands as a link between the first and last of three frames into which Guston’s work naturally settles. The first is 1930s left-wing rhetorical social realism – Guston ... ”