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“... Philip Larkin, we are told, left instructions in his will that certain of his writings had to be destroyed, unread. His executors obeyed: the word is that several of the poet’s notebooks, or journals, are now ashes. Did Larkin expect to be so obeyed? Or did he imagine that perhaps someone, somehow, might take a peek at the material before it reached the flames? And if such a thought did cross his mind, why didn’t he destroy the stuff himself? He must have known that, by not doing so, he was bequeathing at least the possibility of a dilemma ...”

“... shrink from such acts of authority as will promptly be branded authoritarian – a word wielded in Sidney Greenbaum’s tour de task-force The English Language Today. Conservatives need some of T.S. Eliot’s steeled insouciance: ‘I think the virtue of tolerance is greatly overestimated and I have no objection to being called a bigot myself.’ Meanwhile the ...”

“... leading works produced by the second period were Henry Neville’s Plato Redivivus and Algernon Sidney’s Discourses concerning Government. Collectively, these writers are normally described as ‘republicans’. Skinner dispenses with that term, on the ground that the principal writers of the second wave, Neville and ...”

“... with skin as biliously green as the Wicked Witch of the West and, in a riotous series of drawings, Philip Guston transformed the president’s ski nose and heavy jowls into a glumly expressive set of male genitalia. Nixon’s personality was even richer. Gore Vidal parodied him in his 1960 play The Best Man and, beginning in the late 1960s, an impressive ...”

“... co-operation, Theodore Martin lavished on the Prince Consort; still less the ‘feline skill’ of Sidney Lee who, disregarding the advice of Edward VII, ‘Stick to Shakespeare, Mr Lee, there’s money in Shakespeare,’ produced a double-decker biography of his late majesty; least of all the flippant irreverences of Lytton Strachey’s Queen Victoria, which ...”

“... to an end, Browning and the three Storys continued to Naworth Castle and found two other guests, Sidney Colvin and Agnes Carnegie. Philip Webb, the architect, had been invited but had declined, dreading his ignorance ‘cheek by jowl with that compendium of knowledge, Browning’. Pen and Sarianna had left for the ...”

“... in Nice Work cruising to work in his Jag as Robyn Penrose tootles to college in her Renault 5, or Philip Swallow and Morris Zapp of Changing Places crossing somewhere above the North Pole as their planes take them in opposite directions for the start of their academic job-swap. Two ideas setting off for each other’s point of origin: Paradise News lacks this ...”

“... Deià in Mallorca. There they had their second child and they asked Robert Graves to name him – Philip. ‘The Relics’, which appeared in Mathews’s first collection, The Ring (1970), is a set of variations on imaginary landscapes in yellow and red, bringing to mind the Phrygian Midas, and a landscape turning to clanking metal, as in Ovid:Where are the ...”

“... for Foot, but Morgan can’t stop there: ‘The Labour Party cherishes its great partnerships – Sidney and Beatrice Webb, Douglas and Margaret Cole, the Callaghans, the Kinnocks, the Blairs. In this pantheon the touchingly loyal team of Michael and Jill may confidently be placed.’ ‘Michael and Jill’: how cosy. It seems unfair to bracket Glenys ...”

“... expression, in some unaccountable way, to what the English people think’, the statement was, as Philip Williamson notes in this ambitious new assessment, ‘in any literal sense … untrue’. Similarly with his claim to be ‘voicing what is in the minds of the dumb millions of this country’, though there the assertion was so framed as to make ...”

“... literary scene were anti-Stalinist socialists who defended Trotsky. In 1937 William Philips and Philip Rahv had revived Partisan Review as a left-wing anti-Stalinist literary journal. The Committee for Cultural Freedom was founded in 1939 by the philosophers John Dewey and Sidney Hook with a similar programme. Lionel ...”

“... Sometimes it issued in wry self-irony, sometimes in sentimental sadness – the quality that Philip Larkin was noting when he said that MacNeice might have written the lyrics to ‘These Foolish Things’ – but never in self-pity, and never in confession. From first to last, his favourite pronoun was ‘he’ not ‘I’ – the Self observed, but ...”

“... failed in some way, have proved ‘minor’, not ‘major’. The first three, for instance, are Philip Henry Gosse (the Father of Father and Son), who had his work for ever upstaged by The Origin of Species; John Churton Collins, a good journalist and scholar for ever cruelly ‘placed’ by one harsh Tennysonian snub; and Eliza Lynn Lynton, an early ...”

“... his coronation had to be postponed due to appendicitis brought on by over-eating. His biographer, Sidney Lee, faced with this utter grossness, wrote only that the King-Emperor ‘never toyed with his food’. This is, in a very strict sense, false consciousness: faced with the reality of monarchy, people simply lie. Similarly, Nairn catches Kinnock at the ...”

“... best commentary on this aspect of Hitchcock’s films (and on a great deal else besides) may be Philip Larkin’s ‘Aubade’, a poem about the specific, all-consuming fear aroused by the most general and unavoidable (that is to say, banal) of all conditions. This is the fear not so much of dying, as of death, of mortality. Waking at 4 a.m. to ‘soundless ...”