At the Hunterian
Andrew O’Hagan: Joan Eardley gets her due, 4 November 2021
“... The Glasgow art scene was ‘a notoriously tough, hard-drinking, back-biting milieu’, Patrick Elliott writes in the thoughtful study that accompanied this summer’s show of Eardley’s work at the Scottish National Gallery of Modern Art. It was a world not keen on artists born in England, or gay people. The Glasgow Art Club ‘did not admit women ... ”