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Aunt Twackie’s Bazaar

Andy Beckett: Seventies Style, 19 August 2010

70s Style and Design 
by Dominic Lutyens and Kirsty Hislop.
Thames and Hudson, 224 pp., £24.90, November 2009, 978 0 500 51483 2
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... helped create an appetite for new design styles. In 1973, before his success in Hollywood, Ridley Scott directed his famous television commercial for Hovis, featuring a boy delivering bread by bicycle up a steep, cobbled street of chocolate box cottages – perhaps the most expert encapsulation and commodification of the era’s rural yearnings. ...

Manly Voices

Bernard Porter: Macaulay & Son, 22 November 2012

Macaulay and Son: Architects of Imperial Britain 
by Catherine Hall.
Yale, 389 pp., £35, October 2012, 978 0 300 16023 9
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... of the first two volumes of his great History of England, published in 1848, rivalled those of Scott and Dickens. The main reason for his popularity, apart from his literary style, was that he flattered the English by crediting them with a unique history of evolving ‘freedom’. Hall thinks – what might at first glance appear paradoxical – that he ...

I’ll be back

Marjorie Garber: Sequels, 19 August 1999

Part Two: Reflections on the Sequel 
edited by Paul Budra and Betty Schellenberg.
Toronto, 217 pp., £40, February 1999, 0 8020 0915 8
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... the same pointed zeal as have the sequels to Austen. In the 20th century dozens of sequels, from Margaret Dashwood, or Interference (a sequel to Sense and Sensibility by Edith Charlotte Brown, 1929) to Consequence, or Whatever Became of Charlotte Lucas (Elizabeth Newark, 1997) and Desire & Duty: A Sequel to Jane Austen’s ‘Pride and Prejudice’ (Ted ...

Pseud’s Corner

John Sutherland, 17 July 1980

Duffy 
by Dan Kavanagh.
Cape, 181 pp., £4.95, July 1980, 0 224 01822 1
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Moscow Gold 
by John Salisbury.
Futura, 320 pp., £1.10, March 1980, 0 7088 1702 5
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The Middle Ground 
by Margaret Drabble.
Weidenfeld, 248 pp., £5.95, June 1980, 0 297 77808 0
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The Boy Who Followed Ripley 
by Patricia Highsmith.
Heinemann, 292 pp., £6.50, April 1980, 0 434 33520 7
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... Great unknowns, pen names and spoof attributions figure centrally in the genre’s history, from Scott, to George Eliot, to Kilgore Trout. According to the massive, nine-volume Dictionary of Anonymous and Pseudonymous English Literature there are, largely speaking, only three reasons for masked authorship, all prudential: ‘Generally the motive is some form ...

Short is sharp

John Sutherland, 3 February 1983

Firebird 2 
edited by T.J. Binding.
Penguin, 284 pp., £2.95, January 1983, 0 14 006337 4
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Bech is Back 
by John Updike.
Deutsch, 195 pp., £6.95, January 1983, 0 233 97512 8
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The Pangs of Love 
by Jane Gardam.
Hamish Hamilton, 156 pp., £7.50, February 1983, 0 241 10942 6
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The Man Who Sold Prayers 
by Margaret Creal.
Dent, 198 pp., £7.95, January 1983, 9780460045926
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Happy as a Dead Cat 
by Jill Miller.
Women’s Press, 120 pp., £2.50, January 1983, 9780704338982
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... out on their bowling night’. A long way, Bech thinks, from Maxwell Perkins. Bech is like Scott Fitzgerald’s Pat Hobby, a minor sideline in fiction, to be relaxed with rather than worked at. But Updike nevertheless makes some sharp observations on current enemies of promise. And the whole set is enlivened by unrelenting bitchery. The rave notices of ...

Why did it end so badly?

Ross McKibbin: Thatcher, 18 March 2004

Margaret Thatcher. Vol. II: The Iron Lady 
by John Campbell.
Cape, 913 pp., £25, October 2003, 0 224 06156 9
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... requiris, circumspice. Even those, John Campbell suggests, who have little or no memory of Margaret Thatcher, live in a world she created; and from which there is no going back. More than any other British prime minister, even Gladstone, she conforms to Max Weber’s type of the modern demagogic politician: the leader who appeals directly to the ...

How Does It Add Up?

Neal Ascherson: The Burns Cult, 12 March 2009

The Bard: Robert Burns, a Biography 
by Robert Crawford.
Cape, 466 pp., £20, January 2009, 978 0 224 07768 2
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... compromise or flattery (two supremely silly treatments). And there have been undressed dolls too. Margaret Fuller, the pioneer American feminist, wrote that ‘since Adam, there has been none that approached nearer fitness to stand up before God and angels in the naked majesty of manhood than Robert Burns.’ Catherine Carswell wrote a brave, Lawrentian ...

My Castaway This Week

Miranda Carter: Desert Island Dreams, 9 June 2022

... may beg to differ. The early recordings are painfully stagey. The first, from 1951, features Margaret Lockwood (best known for playing feisty period heroines opposite James Mason, who himself did Desert Island Discs in 1961 and 1981) sounding as if she’s narrating a public information film: the Eton boating song ‘conjures up for me a very pleasant ...

Women beware men

Margaret Anne Doody, 23 July 1992

Backlash: The Undeclared War against Women 
by Susan Faludi.
Chatto, 592 pp., £9.99, March 1992, 0 7011 4643 5
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The War against Women 
by Marilyn French.
Hamish Hamilton, 229 pp., £9.99, March 1992, 0 241 13271 1
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... and widowhood. Yet she was merely a charming eccentric at bottom, one of those comic ladies, like Margaret Rutherford playing Miss Marple; Keith’s character, like that of Addison’s Sir Roger de Coverley, was there to inform us of the harmlessness and ineffectuality of a defunct class represented by this posthumously lively personality. Helen Mirren’s ...

Woof, woof

Rosemary Hill: Auberon Waugh, 7 November 2019

A Scribbler in Soho: A Celebration of Auberon Waugh 
edited by Naim Attallah.
Quartet, 341 pp., £20, January 2019, 978 0 7043 7457 7
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... anxious consultation with the queen about the difficulty of finding a second husband for Princess Margaret and at another accompanying Idi Amin on the viola, enjoying his ‘light tenor’ in a selection of parlour ballads. The atmosphere of the Diary cast an aura of wild improbability over even such presumably real events as a press reception for the English ...

Viva la trattoria

Ruth Bernard Yeazell: Elizabeth Barrett Browning, 9 October 2003

Letters of Elizabeth Barrett Browning to Her Sister Arabella 
edited by Scott Lewis.
Wedgestone, $300, October 2002, 0 911459 29 4
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... world makes itself continuously felt in these letters. A parade of distinguished visitors, from Margaret Fuller Ossoli to Goethe’s grandson, pays court to the Brownings in Florence. On a sojourn in Paris, the poets finally manage a much anticipated meeting with George Sand, who – greatly to Arabella’s disapproval, apparently – begins their ...

The Village Life

James Meek: Pushkin in English, 6 June 2019

Novels, Tales, Journeys 
by Aleksandr Pushkin, translated by Richard Pevear and Larissa Volokhonsky.
Penguin, 512 pp., £9.99, October 2017, 978 0 241 29037 8
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... grandly plotted fictions embedded in the kind of wide historical novelscapes constructed by Walter Scott and Stendhal. Neither project was tremendously successful; there is nothing in the collection to disturb the conventional wisdom that Pushkin was a poet of genius who also wrote good prose. If Tales of Belkin gleam with possibility and the beginnings of ...

War as a Rhizome

Fredric Jameson: Genre Trouble, 4 August 2022

... general as it has developed since the French Revolution, and been sated by offerings from Walter Scott to Ken Burns, Tolstoy to Margaret Mitchell, Hilary Mantel to Ben Pastor. Pastor seems to have invented a new way of combining the whole and the part in what TV producers might call the limited series.Yet it might chasten ...

Homage to Barbara Cartland

Jenny Diski, 18 August 1994

... and round. I did not do the tango, it was rather ... complicated.’ It sounds almost tragic, very Scott Fitzgerald, until you remember the woman on the stairs with the five children and the sad sack of groceries. Perhaps all that going round and round prevented her from going forward and she came to an emotional end of paragraph. She has known sadness: the ...

A Whack of Pies

Matthew Bevis: Dear to Mew, 16 December 2021

This Rare Spirit: A Life of Charlotte Mew 
by Julia Copus.
Faber, 464 pp., £25, April 2021, 978 0 571 31353 2
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Selected Poetry and Prose 
by Charlotte Mew, edited by Julia Copus.
Faber, 176 pp., £14.99, October 2019, 978 0 571 31618 2
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... an invitation to read, she wrote that her would-be hostess had ‘mistaken me for little Tich or Margaret Cooper at the piano’.The question of how she was to be received seems to have been linked, in Mew’s mind, with how she was to be remembered. In an early lyric she imagined friends standing round her deathbed and speaking of her ‘indulgently, as of ...

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