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“... coincidence of Arthur taking his Upper Amazon employment in the City of London at just the moment Joseph Conrad was in Brussels reluctantly accepting command of a fever-inducing riverboat from the managing director of the Société Anonyme Belge pour le Commerce du Haut-Congo. Lucho, our invaluable Huancayo-based guide, a man dedicated to getting more ...”

“... must be admitted, fogs are carried to excess. They have become the mere mannerism of a clique.’Joseph Conrad used fog judiciously but to fine effect when writing about London. The Secret Agent is infested with it. Corton suggests, plausibly this time, that ‘fog signifies the blurring of Verloc’s and Stevie’s moral perceptions and the confusion ...”

“... could never withstand much critical scrutiny. It certainly doesn’t receive much in Peter Conrad’s encyclopedic new study of artistic creation. For one thing, God’s act of creation is from nothing, which can scarcely be said of Mansfield Park or Dead Babies. Like cooking or carpentry, art requires raw materials. ...”

“... many people ignored and which yet proved more powerful. Best has found a wonderful quotation from Joseph Conrad, who described the Hague Tribunal as ‘a solemnly official recognition of the Earth as a House of Strife’. Conrad continued: ‘War has made peace altogether in its own image; a ...”

“... as laden with artifice as any other literary convention. Ford Madox Ford, in a passage from Joseph Conrad: A Personal Remembrance, brilliantly skewers the claim that a certain prose style – that of realism – faithfully and objectively captures historical events and mental activity: Life does not say to you: in 1914 my next-door neighbour, Mr ...”

“... under other names – whether as Flann O’Brien (‘As a lad I knew Ibsen … Swinburne and Joseph Conrad were also frequent visitors to my grandfather’s place … At dusk, Coleridge would sometimes look in on his way home for a final pipe, and more than once the burly shape of Lord Macaulay was known to grace the gathering’) or Myles na ...”

“... in the novel, mimicking (in alphabetical order, not the order of their appearance in the text) Joseph Conrad, Graham Greene, Ernest Hemingway, Henry James, James Joyce, Franz Kafka, D.H. Lawrence, Frederick Rolfe (Baron Corvo), C.P. Snow and Virginia Woolf. There are also allusions to other texts, such as William Golding’s Free Fall, and to literary ...”

“... relationship with Big Blonde, a broad-shouldered worker who looks like a ‘hero straight out of Joseph Conrad’. Big Blonde is something of an enigma around the Vieux Port: he spends his time working hard on the docks or courting Petit Frère, a sex worker ‘fascinating with his pale prettiness and challenging, deep, dark-ringed eyes and insolent ...”

“... himself, as he headed home on a steamer across the Mediterranean in 1933, steeped in the works of ...”

“... control.’ Such talk of ‘control’ and ‘the primitive mind’ can raise the spectre of Conrad’s Kurtz, whose blitheness about civilisation and progress comes grievously unstuck; and while most of the old works Phelps includes are given friendly treatment, it is not the alienness and self-sufficiency of the past that receive emphasis but its ...”

“... could you want?GP: How are you creating the libretto for Heart of Darkness?TP: From the words of Joseph Conrad. Faithfully and religiously.GP: How do you define faithfully?TP: Not a word in the libretto doesn’t come from his book.GP: Is it a process of excision?TP: Yes, it is excision. The libretto is a fiftieth of the length of the book.GP: Do you ...”

“... Elizabeth Bowen’s The Hotel, their newsletter predicted that ‘those who enjoy writers like Joseph Conrad, Anatole France, Henry James . . . will exult in it . . . Those readers, on the other hand, who prefer the straightforward narrative – as exemplified by such novelists as Galsworthy, Tarkington, Bennett and innumerable others . . . may even ...”

“... freedom and in the absence of secondhand imagery, in some ways surpasses that of his fellow Pole Joseph Conrad. The scholarship is enormous and – given that the Moscow archives were closed to him – comprehensive. Above all, there is Deutscher’s own enthusiasm, a sort of majestic urgency. He believed that his subject mattered. Not just because of ...”

“... length – in sum, unlike anything in the rest of European literature.’ As early as 1917, Joseph Conrad was complaining of ‘public indifference’ to Turgenev’s works. Eliot, writing in the same year, mourned that Turgenev was the ‘least exploited of Russian novelists’. He hasn’t lacked champions, starting with ...”

“... For three hours cries of anguish were heard like some vast choir singing a death song.’ Joseph Conrad wrote with a ‘certain bitterness’ shortly after the night of 14-15 April 1912 about the ‘good press’ the story was receiving. The white spaces and big lettering of newspapers had, he thought, ‘an incongruously festive air’, with ...”