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“... scattered collections – made by Marion Scott, the Gurney family, Ivor’s Gloucester friend John Haines, Vaughan Williams and others – into a central archive. The process continued after Finzi’s death in 1956. Neither Gurney nor Scott had bothered much about dates and the habit of confusion grew by amalgamation. Blunden, returning manuscripts ...”

“... the front pages of the next morning’s papers. In another, Lewis’s sadist lover, the art critic Morris, coats him in quick-drying cement, and harangues him in camp slang: ‘Even if I don’t like reading you the stations, I won’t spread jam. So please, Louisa, get it and go. You’re a mess, a reject, a patient – I could go on for days. And don’t ...”

“... comment by observing the more recent significance of the fine tuning of public borrowing, Nick Morris (much more decisively in the Keynesian tradition) reminds us that the PSBR is, after all, only a residual between two big and unpredictable numbers. (A sympathetic echo is struck in Controlling Public Industries, where Redwood and Hatch, while accepting ...”

“... hoardings and the Great Exhibition. Its gaudy vulgarity appalled such aesthetes as William Morris and, retrospectively, Nikolaus Pevsner, who wrote of Victorian manufacture’s ‘rank growth’. Dickens was true neither to life nor to his age. He was a cartoonist rather than a documentarist – not that the veracity of documentarists is to be trusted ...”

“... had gone. Now the nostalgia trip leads to where the brass bedsteads have gone, and the Morris wallpaper, and the mahogany toilet seats. Leisure has vanished with the Victorian idyll: with bandstands and Punch and Judy, railway hotels, teetotal excursion trains, collar-and-tie crowds at football matches, and unbuttoned moments at the ...”

“... he loves). In Some Like It Hot, the talent booker, Mr Poliakoff, is on the phone to the William Morris Agency. Standing in his office are Jerry and Joe – Jack Lemmon and Tony Curtis – a bass and a saxophone player. Jerry tries to persuade Poliakoff to give them the job – three weeks in Florida with Sweet Sue and her Society Syncopators – but ...”

“... big success was Faithful unto Death says all that need be said here about his work. Alice married John Lockwood Kipling, a sculptor who went to teach art in India, and became the mother of Rudyard. Only Louisa made what seemed at the time a good match from the material point of view, becoming the wife of Alfred Baldwin, iron founder and, later, MP. Their only ...”

“... like Manager of Decommissioned Underground Material and I had gone to see him with Michael Morris, one of the directors of Artangel, a company that puts on art events in different media in unusual places. He was trying to get permission to use the runnels and platforms for The Vertical Line, a performance piece devised by ...”

“... prisoner who made the most of his incarceration. There would be one more escape, in 1960. Frank Morris and the Anglin brothers, Clarence and John, got away – and not one body washed up anywhere. That’s the basis for the Don Siegel film, Escape from Alcatraz (1979), in which Clint Eastwood played ...”

“... some of the academic establishment rejects such supposed nonsense, and what the archaeoastronomer John Michell characterised as the ‘vicious jealousy’ of the 1980s exclusion zone, is hard to account for. One real tradition that continues at Stonehenge is English radicalism, the campaign for land rights that comes down from the Diggers and the enclosure ...”

“... later antiquities. The National Trust, which had been founded by admirers of Ruskin and William Morris to preserve threatened areas of countryside, had, at first, no remit to take on buildings. With its ethos of inspired amateurism, however, this ‘dedicated group of happy-go-lucky enthusiasts’, as Lees-Milne called them, was more acceptable, when the ...”

“... him, but he had nowhere to go. He remembered the address of an acquaintance, a man called Josh Morris, who has a solid career in HR and owned a two-bedroom flat in Skyline Chambers, one of the smart new blocks close to the synthetic neighbourhood that property developers have branded ‘Noma’. But Morris, too, had just ...”

“... has anyone else, much, in the 36 years since Shaw’s death, except the predicted biographers. St John Ervine skimmed their scandalous cream in his ill-tempered centenary life in 1956. Other scholars have browsed them for background material, notably Norman and Jeanne MacKenzie in their book The Fabians. But it has taken until now for any publisher to be ...”

“... begin to fathom the absolute, autocratic will that brought such an array into being? No wonder mat Morris Rossabi, in the opening sentence of his biography of Khubilai Khan, hastens to assure us that this is a book about a real person. For up till now it is Khubilai’s function in the imaginative life of the West which has been his main claim to fame; and ...”

“... ponderous than its subject deserves’ unnecessary. Ashbee’s ideas were a legacy of Ruskin and Morris: the Ruskin who could write of a little girl he saw in ill-fitting hand-me-downs when he was lecturing in Oxford that ‘nothing spoken about art’ could be ‘of the least use’ to anyone in his audience. ‘For their primary business, and mine, was ...”