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“... other consists (or did in 1971) of playgoers for whom the theatre has never been the same since John Osborne, and if they don’t like a play they leave it in droves. Indeed, it sometimes seems that their chief pleasure in going to the theatre in Brighton is in leaving it, and leaving it as noisily as possible. In Beyond the Fringe the seats were going up ...”

“... on chairs) to catch a glimpse of the speakers. The most notable is of course the 90-year-old Gielgud, black overcoat, velvet collar, a half-smile always on his lips as of someone prepared to indulge the world in its fondnesses but with his thoughts already elsewhere. Michael Denison and Judi Dench do the handbag scene from The Importance, J.G. reads from ...”

“... be equally true of its paraphrasable content.’ Taking issue with a recent editor of the Sonnets, John Kerrigan, she points to his lack of interest in the linguistic variation in sonnet 129, and says he takes ‘a single-minded expository view of the poem, as though it were a self-consistent sermon’. For Vendler, the verbal imagination’s true intent is ...”

“... studied theatre in Paris for a short time, and then returned to Ireland, playing a small part in John Ford’s film The Quiet Man and working for a time at the Gate Theatre with Hilton Edwards and Micheál MacLiammóir. In the summer of 1953 he directed Siobhán McKenna and Cyril Cusack in The Playboy of the Western World, playing the part of Shawn Keogh ...”