At Tate Britain
John Barrell: L.S. Lowry, 8 August 2013
“... the capitals of Europe. When I took on these attitudes I was writing a book full of admiration for John Clare as a local poet, and I was learning to admire Constable as, principally, a local painter. But to be modern was to be metropolitan; and to be a ‘local’ anything in the 1960s, even for musicians in Liverpool, was to have missed the bus to London. So ... ”