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“... In the introduction he wrote to the Magnus memoir of the Foreign Legion, D.H. Lawrence remarked that he hated ‘terrible’ things, ‘and the people to whom they happen.’ A reason for keeping away from Jean Rhys, but in any case they would hardly have appealed to each other. When she was young she liked adventurers, and married one, but later in her long life she preferred gentle and gentlemanly types who wanted to cherish her, though they seldom or never succeeded ...”

“... people take little interest in it, or in the feel of what was being said and written at the time. Lawrence, Yeats and Eliot go marching on, attracting obedient attention from each new generation of students, but this form of academic perpetuity does not extend to the writers who give each literary age its actual and particular flavour. Once it was Sir ...”

“... to the German Archiv für Geschichte des Buchwesens. Nor does Britain have an equivalent to John Tebbel’s multivolume history of American publishing. The student of the subject in this country (particularly if he is interested in contemporary matters) will find himself dredging through the pages of more or less hagiographic ‘house histories’ and ...”

“... the experiment, is never quite addressed. For help with these matters, we can turn, though, to Jon Lawrence’s Me, Me, Me? The Search for Community in Postwar England. The book is based on a careful rereading of the records of ten major community studies in postwar England (Lawrence doesn’t look at Scotland, Wales or ...”

“... Erica Brausen. After Cordell moved to America in 1961 with the man who became her second husband, John McHale, she was largely forgotten in Britain. The sculptor Richard Smith, and McHale himself, suffered similar neglect after leaving the UK.By the time I visited her, Cordell’s memories of the 1950s were patchy. For long stretches we said little. She ...”

“... Lawrence felt that Hardy’s Sue Bridehead was ‘no woman’ because ‘that which was female in her she wanted to consume within the male force … in the fire of understanding, of giving utterance. Whereas an ordinary woman knows that she contains all understanding, that she is the unutterable which man must forever continue to try to utter ...”

“... Ted Hughes has always possessed in his poetry the gift that D.H. Lawrence had whenever he took up his pen: the gift of joining his ego to the visible world so that both not only energise each other but seem aspects of the same display. The first poem in this collection, ‘Rain’, seems to give the essence of what actually happens when rain falls and falls on a bare modern English farming countryside ...”

“... his own watery infatuations, Sprawson is amused by the rich variety of incongruities involved. Lawrence despised the sight of Bertrand Russell in a bathing dress – ‘He’s all disembodied mind’ – at Garsington, but he was extremely reluctant to show himself in any state of undress, and insisted on Frieda wearing calico bloomers he had run up ...”

“... In the early Eighties, Western governments, notably those of America, Britain and France, were anxious to assess the probable rate of growth and pathways of infection of Aids. They sponsored extensive sex surveys in order to find out, for example, the number of sexual partners an average male had in his lifetime and how many used safe sex. The British survey was carried out by four women, primarily trained in medical statistics, epidemiology and health care ...”

“... sort of social attitudes. Modernism also saw them in the mass, and disliked or ignored it: D.H. Lawrence, like Wyndham Lewis, made a principle out of such generalised contempt. As an ordinary person one would perhaps rather be despised by Modernism than recruited into the socialist pantheon, for there are at least two great writers, usually counted as ...”

“... publication of Connolly’s Journal (1928-1937) does not serve him, except right. He found D.H. Lawrence insufficiently magnanimous (‘Notice how carefully Lawrence refuses to recognise virtue in anyone but himself’), and his sponsor David Pryce-Jones now finds F.R. Leavis much the same, so it may be legitimate to cite ...”

“... thing, start doing poetry and prose that is nothing but ‘poetry’ and ‘prose’. This is what John Fuller’s new rhymes for children are: they announce their literariness and children can no doubt admire it, for in this context they know, like older readers on the poetry scene, what is proper to it. But Walter de la Mare’s line ‘Who said, “Peacock ...”

“... getting on very well indeed. Laugh the Betjeman way and the best people will laugh with you. D.H. Lawrence had a comparable power, the jester’s vitality that attracts the upper crust, and the social ‘feel’ in his verse has odd affinities with Betjeman’s: both are obviously – in their works and out of them – the life and soul of a ‘set’. There ...”

“... John Carey’s new book, like his last one, The Intellectuals and the Masses, is a little swizzle-stick perfectly designed for flattening airy literary bubbles. Surprisingly, it is likable, wise and often right, the more so in tending to contradict The Intellectuals and the Masses, which had none of these qualities ...”

“... So indeed was the kind of honesty which Tolstoy could always deploy in his writing. As with D.H. Lawrence, everything that went in was true but a good deal was left out. Both can only appear to their own advantage in their autobiographical novels, however much a Pierre or a Levin is presented as comical, a Paul Morel or Rupert Birkin as priggish. Both were ...”