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Mayhem at Millbank

David Sylvester: The new hang at the Tate Britain (2000), 18 May 2000

... two related works not of quite the same date. The last catalogue I had worked on, that of a Henry Moore retrospective at the Tate the previous year, had been different. Both in the text and in the plates I had divided the work into themes, though not literary themes but formal themes – ‘The Reclining Figure’, ‘Square Form’, ‘Holes and ...

Durability

Peter Lamarque, 15 September 1983

The Critical Historians of Art 
by Michael Podro.
Yale, 257 pp., £15, November 1982, 0 300 02862 8
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A World History of Art 
by Hugh Honour and John Fleming.
Macmillan, 639 pp., £17.50, September 1982, 0 333 23583 5
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The Test of Time: An Essay in Philosophical Aesthetics 
by Anthony Savile.
Oxford, 319 pp., £20, July 1982, 0 19 824590 4
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... exuberance, vitality and enthusiasm of their prose. Among Europeans, Signorelli, Samuel Palmer, Henry Moore and Dosso Dossi, in spite of his current £2 million price tag, don’t appear, but their absence is compensated for by the appearance of Bartholomäus Spranger and François Boucher. Behind any such encyclopedic enterprise as that of Honour and ...

A University for Protestants

Denis Donoghue, 5 August 1982

Trinity College Dublin 1592-1952: An Academic History 
by R.B. McDowell and D.A. Webb.
Cambridge, 580 pp., £35, June 1982, 0 521 23931 1
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... general feeling among Trinity students at the time was accurately represented by T.C. Kingsmill Moore’s editorial in the magazine TCD: ‘Trinity College, true to her traditions, has played a worthy, if an unacceptable part. To be called upon to defend our University against the attack of Irishmen, to be forced in self-defence to shoot down our countrymen ...

Shockers

Jeremy Treglown, 6 August 1992

Writers on World War Two: An Anthology 
edited by Mordecai Richler.
Chatto, 752 pp., £18.99, February 1992, 0 7011 3912 9
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Legacies and Ambiguities: Post-war Fiction and Culture in West Germany and Japan 
edited by Ernestine Schlant and Thomas Rimer.
Woodrow Wilson Center Press/Johns Hopkins, 323 pp., $35, February 1992, 0 943875 30 7
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... are now the overwhelming majority) to understand the several different compunctions felt by Henry Moore about sketching people in London air-raid shelters. Facts, though, aren’t everything, as David Cecil argued early in 1941, in an article lamenting the propagandist pressures being brought to bear on artists. Prisoners of war were commended for ...

The Caviar Club

Azadeh Moaveni: Rebel with a Hermès Scarf, 9 September 2021

The Empress and I: How an Ancient Empire Rejected and Rediscovered Modern Art 
by Donna Stein.
Skira, 277 pp., £38, March, 978 88 572 4434 1
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Epic Iran 
V&A, until 12 September 2021Show More
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... While US and European economies faltered, Iran’s soared, buoyed by high oil prices. When Henry Kissinger entreated the shah to freeze oil prices in 1975, he refused, and later cited the US government’s ‘threatening tone’ and ‘paternalistic attitude’. It was time, he argued, for the oil-rich nations of the global South – countries such as ...

Into the Southern Playground

Julian Bell: The Suspect Adrian Stokes, 21 August 2003

'The Quattro Cento’ and ‘Stones of Rimini’ 
by Adrian Stokes.
Ashgate, 668 pp., £16.99, August 2002, 0 7546 3320 9
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Art and Its Discontents 
by Richard Read.
Ashgate, 260 pp., £35, December 2002, 0 7546 0796 8
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... to materials’ had since become a watchword for sculptors like Epstein and the young Henry Moore. Of carving and modelling, the twin poles of traditional sculpting, Stokes prefers the first because it can allow stone to ‘come to life’. What, then, is it for stone to live? What are the qualities it possesses, which fine carving is to ...

Hanging Offence

David Sylvester, 21 October 1993

... separate as sentries. What a shame that R. & J. didn’t get Bryan Robertson to give them a hand! Henry Moore used to say that Robertson’s Rothko show at the Whitechapel was the most moving exhibition of a modern artist he had ever seen. Robertson also did a beautiful Pollock show there. The hang of the Pollocks here is execrable. It was bound to be ...

Unreal Food Uneaten

Julian Bell: Sitting for Vanessa, 13 April 2000

The Art of Bloomsbury 
edited by Richard Shone.
Tate Gallery, 388 pp., £35, November 1999, 1 85437 296 3
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First Friends 
by Ronald Blythe.
Viking, 157 pp., £25, October 1999, 0 670 88613 0
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Bloomsbury in France 
by Mary Ann Caws and Sarah Bird Wright.
Oxford, 430 pp., £25, December 1999, 0 19 511752 2
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... a lasting inspiration for the authentically progressive – whoever you consider those to be, from Henry Moore to Gilbert and George – in an English art world that remained through the 20th century recalcitrantly retardataire, forever harking back to Victorian escapism and prettiness. On the contrary, goes the other voice, genuine innovation in England ...

Bourgeois Reveries

Julian Bell: Farmer Eliot, 3 February 2011

Romantic Moderns: English Writers, Artists and the Imagination from Virginia Woolf to John Piper 
by Alexandra Harris.
Thames and Hudson, 320 pp., £19.95, October 2010, 978 0 500 25171 3
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... of ‘“Abstract” Painting and Sculpture’ that brought their English contemporaries – Henry Moore, Barbara Hepworth, Ivon Hitchens – into a common fold with Kandinsky, Miró, Calder and Arp, all then working in Paris. At roughly the same moment two or three shows of abstract art opened in London galleries. The press, to whom the phenomenon ...

Madder Men

Hal Foster: Richard Hamilton on Richard Hamilton, 24 October 2019

Richard Hamilton: Introspective 
by Phillip Spectre.
König, 408 pp., £49, September 2019, 978 3 88375 695 0
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... arrangements and resplendent sunsets. It is hard not to see them as playful swipes at Hans Arp and Henry Moore; they also seem to parody the notion that our first painting is our infantile smearing of poo, a psychoanalytic cliché that, thanks to Piero Manzoni and others, had become an avant-garde one as well. Often this collision of high and low was a ...

The Staidness of Trousers

E.S. Turner, 6 June 1996

A Peculiar Man: A Life of George Moore 
by Tony Gray.
Sinclair-Stevenson, 344 pp., £20, April 1996, 1 85619 578 3
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... George Moore, ‘daring’ novelist and absentee landlord, sage and humbug of Ebury Street, seemed born to be insulted. ‘An over-ripe gooseberry, a great big intoxicated baby, a satyr, a boiled ghost, a gosling’ – these were among the Dublin epithets collected by his fellow writer Susan Mitchell and here passed on by Tony Gray ...

Fraternity

Nicholas Penny, 8 March 1990

The Image of the Black in Western Art. Vol. IV, Parts I-II: From the American Revolution to World War One 
by Hugh Honour.
Harvard, 379 pp., £34.95, April 1989, 9780939594177
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Primitive Art in Civilised Places 
by Sally Price.
Chicago, 147 pp., £15.95, December 1989, 0 226 68063 0
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The Return of Cultural Treasures 
by Jeanette Greenfield.
Cambridge, 361 pp., £32.50, February 1990, 0 521 33319 9
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... to ‘speak directly’ to the child or savage in all of us; the belief that any admirer of Henry Moore or Picasso has instant access to its true meaning; the way this meaning is associated with violence, magic and wild sexuality; the notion, often contradicting available evidence, that it is the produce of anonymous craftsmen blindly obeying ...

Inconstancy

Peter Campbell, 20 July 1995

Brancusi 
Pompidou Centre, August 1995Show More
Constantin Brancusi: A Survey of His work 
by Sanda Miller.
Oxford, 256 pp., £45, April 1995, 0 19 817514 0
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Constantin Brancusi Photographe 
by Elizabeth Brown.
Assouline, 79 pp., frs 99, April 1995, 2 908228 23 8
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Constantin Brancusi: 1876-1957 
by Margit Rowell and Ann Temkin.
Gallimard, 408 pp., frs 390, April 1995, 2 85850 819 4
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... to turn to, still is perhaps, if you wished to point to a sculpture of essences. It was (until Henry Moore) the cartoonist’s favoured notion of modern sculpture – in 1926 the New Yorker published a drawing by Helen Hokinson of two toqued ladies circling a Bird in Space, shaping themselves to its undulating line. Sculpture as essence, sculpture as ...

Diary

Alan Bennett: What I did in 2005, 5 January 2006

... flush out the devout, the fluent genuflection before entering the pew the first indicator. Charles Moore sinks to his knees straightaway and prays for a considerable period of time, and Piers Paul Read similarly. Some admiration for this, men who pray in public not uncourageous, though more often met with at Catholic rather than Anglican services. The service ...

Pioneers

Christopher Reid, 3 September 1981

Some Americans: A Personal Record 
by Charles Tomlinson.
California, 134 pp., £6.50, June 1981, 0 520 04037 6
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... them.’ The innovators to whom he refers are those American poets – Ezra Pound, Marianne Moore, William Carlos Williams and others – whose work and moral example have been of importance to his own growth as a writer. The sentence quoted above, with its tinge of elegy and irony, occurs in the fourth and final chapter of Tomlinson’s new, brief book ...

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