Late Picasso at the Tate
David Sylvester, 1 September 1988
“... is composed in a language that is joyfully, gratefully taken over from that of Matisses done in Nice between 1919 and 1924: we are reminded of the Odalisque with Magnolias, for instance, even by the way in which the garden in the background is turned into a decorative screen, while the flanking shutters, not at all a Picassian device, are an evocation of ... ”