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“... came to be known as the Nouvelle Vague: François Truffaut, Jean-Luc Godard, Jacques Rivette, Claude Chabrol and Maurice Schérer, later known by his pseudonym, Eric Rohmer. By and large, unlike their counterparts on the left-wing journal Positif, the early Cahiers writers were either effectively on the right, like Rohmer, or essentially apolitical in ...”

“... Montaigne’s thinking about Amerindians (as it later became part of the ethnographic formation of Lévi-Strauss). Montaigne’s relation to Léry may have been similar to that of Swift to Moryson (Sheridan, who mediated Moryson to Swift, may have translated Montaigne). Even as Montaigne compares Indians eating dead enemies to Frenchmen roasting alive their ...”

“... achievement of the Scientific, or positive – Auguste Comte, building on the materialist ideas of Claude Henri Saint-Simon, fashioned a philosophy that rooted paradise on earth. While the moral system of Christianity relied on promises and threats of the after-life, positivism relied on individual participation in the temporal work of human progress; deifying ...”

“... doubt Imagism comes in too. He looks at a landscape with half-closed eyes through a mist, or in a Claude-glass, or upside down from between his legs; and this is not a good way to read a novel, which is usually better read as if it were a history. Also it is rather unfair to take the chief examples from the Gospels, because there many readers have an extra ...”

“... As Lévi-Strauss might have said, ‘the dead are good to think with.’ But the thoughts they give rise to are seldom as reassuring as one might hope. The dead, and memories of the dead, as both these books suggest, are disruptive, unruly and unpredictable. In his erudite study, Avner Ben-Amos has three cracks at analysing the way French society from the Revolution to the present has tried to come to terms with its most illustrious bodies ...”

“... Robbe-Grillet began shepherding to publication the novels of Michel Butor, Nathalie Sarraute, Claude Simon, Robert Pinget and Marguerite Duras, who were soon known as the ‘école de Minuit’. These writers drew on different models, but with their detached sensibility and rejection of 19th-century dramatic conventions, they had enough in common for ...”

“... French names who, before they were known in the world at large, came to the Faculty in São Paulo: Lévi-Strauss, Braudel, Pierre Monbeig, Roger Bastide, Claude Lefort, Michel Foucault. The deepest local imprint was left in philosophy, where a set of outstanding instructors trained a generation of thinkers, vividly ...”