The Last Hundred Days
Peter Wollen: Kassel’s Mega-Exhibition, 3 October 2002
“... images and exhausted subjects; from Glen Ligon’s black on black painting of a paragraph from a James Baldwin essay to Chohreh Feyzdjou’s smearing of black pigment on jars and boxes that contain the scrolled text of her autobiography. As Enwezor envisaged, many ‘new relations of spectatorship’ were introduced, relations which drew on the tragic ... ”