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“... in [Auden’s] own consciousness’. It expressed ‘an essential uncertainty of purpose and of self’, such that Auden’s ‘assured personal manner’ covered something very different. Taking up Empson’s account of the work, Leavis alluded to Empson’s own poems and their superiority, in mastery of their emotions, to Auden’s. ‘The ...”

“... instance, it was said that as the daughter of Baldwin V, Count of Flanders, and granddaughter of Robert II ‘the Pious’, King of France, she proudly refused a marriage proposal from William Duke of Normandy, on the grounds that he was illegitimate and she would not demean herself to marry a bastard. At this, the story goes, William rode up from ...”

“... brilliance’ and ‘hard, gem-like style’ but backhandedly compared his writing to self-satirising chinoiserie. ‘Forgetting Elena is a masterful piece of work, I have no doubt of that,’ Friedman wrote. ‘The trouble lies in the contrivance.’ Though the language at times was ‘uncannily beautiful’, the narrator was ‘unfailingly ...”

“... propagated Scottish notions of liberty, improvement, politeness and sentimentality. Rather as Robert Darnton a generation ago diverted scholarly attention from the philosophes to the printers, engravers and booksellers of Paris in The Business of Enlightenment: A Publishing History of the ‘Encyclopédie’, so Sher looks through all that Scottish mind ...”

“... own autobiography, Passages in a Wandering Life, but there is far more feverish guilt and self-contradiction in his life than the term ‘wandering’ suggests. The narrative of this life is in no sense straightforward. It has lost that classic linear imperative that characterised the religious quest of Pilgrim’s Progress. What Matthew Arnold ...”

“... into focus out of the historical blur) often with great vividness. The three men, Thomas Evans, Robert Wedderburn and George Cannon, were affiliated with ultra-radicalism and Spence before the letter’s death in 1814 – though Cannon, almost a generation younger than the others, was a late arrival. The first part of Dr McCalman’s study looks at the ...”

“... that Barrett’s poems were unnecessarily ‘obscure’ – a common complaint about the work of Robert Browning which she also repeatedly echoed. Often EBB penitently acknowledges the fault – ‘my obscure devil’ – just as she often insists on the inevitable cloudiness of those who strive after the sublime. Aeschylus, after all, was ‘the sublimest ...”

“... of a poem. ‘These were strange requests, coming from someone who had made contemporary poets self-conscious about their crudities, afraid to rhyme “bone” with “stone”, or to go umpty-umpty-um. Marianne was doing her best, one saw, to go umpty-umpty-um when she sensed that La Fontaine had gone that way, but it seemed to be almost – I use the ...”

“... and scientific – connected? For Nauman they are all rooted in a fundamental splitting of the self. Almost in a Lacanian way he intimates that our mirror image, however coherent and intimate it might appear, is actually divided and alien, and that narcissism easily flips into aggression. When video art first emerged, Rosalind Krauss theorised it in terms ...”

“... but rather with the alleged critical assassins: Carl Weber (‘a boorish vulgarian’), Robert Gittings (‘unscrupulous’), Richard Purdy (‘incapable of psychological insight into sexual matters’) and Michael Millgate (‘prim’), the devoted Hardy scholars who have given us studies of the work, an edition of the letters and several ...”

“... disintegrated, no longer preparing for government, but for oblivion. Part of the SDP is to go with Robert MacLennan, a year ago unknown in Britain and today unknown throughout the world. The other part, under David Owen, is being re-launched as the political wing of Sainsbury’s. At the Labour Conference there was little rejoicing over the demise of the ...”

“... documents from the very end of the tsarist period which tells the story of Nicholas’s last days. Robert Massie’s The Romanovs: The Final Chapter tells what happened to the Romanovs after they died. Massie’s book is a movie, big on atmosphere and set pieces, while Steinberg and Khrustalev’s book is a book, as dense with information as an old ...”

“... the seats at once of lust for gain and taste for luxurious ease which sapped the will to sacrifice self for state, and of the proletarian alienation and socialist militancy that placed the class before the national struggle. They need not have worried. The ability of each of the states concerned to represent its war as one of defence turned the flank of a ...”

“... has been for more than a century, politically impotent and irrelevant. Simon Heffer and the late Robert Rhodes James have thought differently, and rightly so. Recent indignation over the ‘co-option’ of royal events by Tony Blair highlights the uses to which politicians can put the monarchy; it is hard to see why Prime Ministers would continue the ritual ...”

“... but overabundance. Lutyens and Hislop are not the first to notice this. In 1986, the historian Robert Hewison called his fine study of British culture between 1960 and 1975 Too Much. In Mike Leigh’s play Abigail’s Party, the claustrophobic lounge, crammed with 1970s products (like a cruder suburban version of Peter Cook’s showy living-room) is as ...”