I just worked it out from the novel

Michael Wood, 24 April 1997

Tomorrow in the Battle Think on Me 
by Javier Marías, translated by Margaret Jull Costa.
Harvill, 313 pp., £8.99, October 1996, 1 86046 199 9
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The Club Dumas 
by Arturo Pérez-Reverte, translated by Sonia Soto.
Harcourt Brace, 368 pp., $23, February 1997, 0 15 100182 0
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“... the evocation of impossibility. Much else besides, no doubt. At times Marías’s images take on a self-consciously Proustian flavour, the sense of a homage to the master of the exfoliating, multiple-choice analogy. Perhaps she was crying too because she felt the kind of envy or sense of exile that afflicts children when they are separated from their ...”

Misunderstanding Yugoslavia

Basil Davidson, 23 May 1996

Balkan Tragedy: Chaos and Dissolution after the Cold War 
by Susan Woodward.
Brookings, 536 pp., £35.50, May 1995, 0 8157 9514 9
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“... this is horribly complete. To measure the astonishing degree to which the ethos of Yugoslavia’s self-liberation could overcome hatred and revenge one needs perhaps to have seen the depths out of which it had to climb. That it did so Woodward, no kind of sentimentalist, is able to confirm. Why then this ferocious disintegration? Why its appalling speed and ...”

People of a Half-Way House

Nuruddin Farah, 21 March 1996

“... narratives as they reminisce. They engage a million man-hours of refugee-time in introspection and self-analysis, and consequently feel more depressed at the end of the day than they were at dawn. They are suicidal. A great many of them are religiously reflective, pondering on the curse that has paid them and their country a visitation. Only much later, in the ...”

Four in a Bed

Wendy Doniger, 8 February 1996

Vice Versa: Bisexuality and the Eroticism of Everyday Life 
by Marjorie Garber.
Hamish Hamilton, 608 pp., £25, January 1996, 9780241134481
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“... is early slang for “homosexual”, and “man of all trades”, in a gay context, self-explanatory.’ (She does not cite the delightful, if apocryphal, story of the woman who had a crush on the handsome and multi-talented Bernstein and replied, on being told that he was gay: ‘Is there nothing that that man can’t do?’) She goes on to ...”

Famous Four

R.W. Johnson, 30 November 1995

SDP: The Birth, Life and Death of the Social Democratic Party 
by Ivor Crewe and Anthony King.
Oxford, 611 pp., £25, November 1995, 0 19 828050 5
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“... resigning in furious opposition to the very principle of popular consultation by referendum. This self-conscious wish to stand apart from the hoi polloi linked up with the sociology of meritocratic ascent. ‘Even when I disagreed with them,’ one SDP MP said to the authors, ‘I used to think of the people at Labour Party Conferences as my people. Then, a ...”

In Fear and Trembling to the Polls

John Lloyd, 30 November 1995

“... Security and Armed Forces and can govern by decree. To do so, however, the head of state must be a self-confident and energetic figure. Yeltsin is exhausted, has had two heart attacks of unknown severity and is prone to disabling depression. He is famously pneumatic, but his five years of office have seen a steady decline in his powers. Energy and ...”

Bobby-Dazzling

Ian Sansom, 17 July 1997

W.H. Auden: Prose 1926-38, Essays and Reviews and Travel Books in Prose and Verse 
edited by Edward Mendelson.
Faber, 836 pp., £40, March 1997, 0 571 17899 5
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“... of war; the lolloping punctuation; the careful suggestion of wide reading and the faint twinkle of self-conscious word-play. In 1930 Auden was a 23-year-old Oxford graduate, recently returned from a year in Berlin, who had finally had his first collection of poems accepted by Faber. He was a young man beginning to make his mark on the world; he was discovering ...”

Doom Sooner or Later

John Leslie, 5 June 1997

Imagined Worlds 
by Freeman Dyson.
Harvard, 216 pp., £14.50, May 1997, 0 674 53908 7
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“... automobile that takes us where we wish to go’ – which will be cheap because they are self-reproducing. Probably, ‘the self-reproducing machine will be partly made of genes and enzymes.’ During the next thousand years ‘we must expect’ that ‘collective memory and collective consciousness’ made ...”

All Together Now

Richard Jenkyns, 11 December 1997

Abide with Me: The World of Victorian Hymns 
by Ian Bradley.
SCM, 299 pp., £30, June 1997, 9780334026921
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The English Hymn: A Critical and Historical Study 
by J.R. Watson.
Oxford, 552 pp., £65, July 1997, 0 19 826762 2
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“... the fourth syllable. Victorian hymn music came under attack early in this century, censured for self-indulgence, cloying chromaticism and ‘vulgar lusciousness’. These charges are accepted by Bradley a little too readily. Jolly though it is to hear the High Victorians accused of decadence, we may wonder how far the accusation is just; if these composers ...”

The Good Parasite

Lorna Scott Fox: Who was Calvert Casey?, 1 April 1999

The Collected Stories 
by Calvert Casey.
Duke, 224 pp., £11.50, May 1998, 0 8223 2165 3
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“... written after the move to revolutionary Cuba, is a summary of his life so far, in a self-portrait that’s not the work of a weak man: And after every episode – that’s what you had to call them – of travelling, loving, hating, working, talking, he was left inert, indestructible in a way, as though whole and untouched, not consumed, not ...”

Colloquially Speaking

Patrick McGuinness: Poetry from Britain and Ireland after 1945, 1 April 1999

The Penguin Book of Poetry from Britain and Ireland since 1945 
edited by Simon Armitage and Robert Crawford.
Viking, 480 pp., £10.99, September 1998, 0 670 86829 9
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The Firebox: Poetry from Britain and Ireland after 1945 
edited by Sean O’Brien.
Picador, 534 pp., £16.99, October 1998, 0 330 36918 0
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“... If, as Auden wrote, poetry makes nothing happen, then the poetry anthology has no such self-effacing qualms. Blake Morrison and Andrew Motion knew this, as did the predecessor they were tussling with, A. Alvarez’s The New Poetry (which was tussling with its predecessor, Robert Conquest’s New Lines). ‘This anthology,’ they wrote in their ...”

Plucking the Fruits of Knowledge

Linda Nochlin: The Surprising Boldness of Mary Cassatt, 15 April 1999

Mary Cassatt: Modern Woman 
edited by Judith Barter.
Abrams, 376 pp., £40, November 1998, 0 8109 4089 2
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Mary Cassatt: Painter of Modern Women 
by Griselda Pollock.
Thames and Hudson, 224 pp., £7.95, September 1998, 0 500 20317 2
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“... might have been a flattering likeness of Mrs Riddle into a masterpiece. Like Poussin’s great self-portrait in the Louvre, it is a painting about art and the making of art. Like Poussin, Cassatt places her sitter’s head in a series of framings which both hold it in place and call attention to the relation between the rectangles within the painting (one ...”

A Talent for Beginnings

Michael Wood: Musil starts again, 15 April 1999

Diaries 1899-1942 
by Robert Musil, translated by Philip Payne.
Basic Books, 557 pp., £27.50, January 1999, 0 465 01650 2
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“... does get a little chilly in the long run, and Ulrich, like his creator, has a strange capacity for self-satisfaction alongside his gift for self-criticism. But the writing never stops being funny and illuminating, and we’d be lost if we had to approve of writers in order to keep reading them. Ulrich is a fully developed ...”

A Calamitous Man

Patrick Collinson: Incombustible Luther, 29 July 1999

Martin Luther: The Christian Between God and Death 
by Richard Marius.
Harvard, 542 pp., £19.95, March 1999, 0 674 55090 0
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“... does occur more often than ‘judgment’ and ‘Hell’? Death is its ineluctable self. Yet it stands for much more besides, especially in the writings of St Paul. Marius should count the number of times that ‘death’ is mentioned in the Epistle to the Romans, and should consider its symbolic, religious meaning. Death meant sin. It was ...”

Slices of Cake

Gilberto Perez: Alfred Hitchcock, 19 August 1999

Hitchcock’s Secret Notebooks: An Authorised and Illustrated Look Inside the Creative Mind of Alfred Hitchcock 
by Dan Auiler.
Bloomsbury, 567 pp., £20, May 1999, 0 7475 4490 5
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“... the audience sees: a remarkable figure, an artist reaching a popular audience with an art as self-conscious and self-referential as any élite audience could wish. Invoking a triad proposed by Jameson, Zizek sees Hitchcock as an exponent of realism (in his British films of the Thirties), of Modernism (in his American ...”