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“... in La Capponcina was privileged and lived between gardens and summerhouses with the old man, in white cotton gloves brought by Raymond, taking exercise by plying roses with secateurs. But it was neither sybaritic nor idle. At 77 he returned recurringly to the dictaphone with instructions to men producing a newspaper to his wishes. What is described here is ...”

“... as I did in the country of my skin, all the methods I used had to be acceptable to white observers.’Black Teacher was met with hostility when it first appeared. Gilroy was accused of boasting and of exaggerating the prejudice she had faced; for her part, she complained her account had been softened in the editing. In To Sir, with Love ...”

“... at work around him. This creates a much more rounded picture of Lawrence too. The chief ones are William Yale, representative in the Middle East of the disreputable Standard Oil Company of New York (and so of American capitalism); Curt Prüfer, ardent German nationalist, working to seduce the Arabs to the German side, who was later a convert to ‘the ...”

“... In a chapter on animals in his Description of England, the Elizabethan antiquary William Harrison told not one but two stories about Henry VII. ‘As the report goeth’, he wrote, the king had had all the mastiffs in England put to death because ‘they durst presume to fight against the lion, who is their king and sovereigne ...”

“... Their cheerful conversation was reassuringly at odds with their get-up (black hair, white faces, silver skulls dangling from their ears). I wondered whether they might see a connection between Hamlet’s nighted colour and their own style, but, being natives of Stratford-upon-Avon, they had been force-fed Shakespeare all their lives and heartily ...”

“... she was supported by writers and artists including Joseph Kosuth, Keith Sonnier, Sol LeWitt, William Wegman and Leandro Katz (who, with Ted Castle, produced Acker’s first ‘real’ books). She was, for a time, known only as the Black Tarantula; her work was fresh and defiant, and blended perfectly with the cultural mix of 1970s New York. The ...”

“... they separated within ten months. Three years after that, she took up with the architect Edward William Godwin. They did not marry, but had a daughter and son together, and the expense of their upkeep drove her back to the stage. Her performance as Portia in The Merchant of Venice drew her to the attention of Henry Irving, an emerging actor-manager who ...”

“... her (‘Janet also stepped in when a particular group bored Jackie, as did the coffee hour at the White House for the wives of the New York Stock Exchange members or the social for the International Council of Women’), but Pottker’s most telling sentence concerns that photograph of Jackie’s mother looking the other way while her husband ...”

“... published an essay which concluded that ‘lynching is the aftermath of slavery.’ A year later, William A. Sinclair, who was born into enslavement, published The Aftermath of Slavery, a Study of the Condition and Environment of the American Negro. Terrell and Sinclair used the term ‘aftermath’ to make the point that their own era was contiguous with the ...”

“... assurance, the nonchalant way he let the vinegar run from the chip-bag onto the breast of his off-white shirt. But I kept all this quiet knowing there were things he envied about me too. I think each of us treasured this envy, longing to know how the other had changed but disdaining to ask. His friend, Jamie, tells the narrator that he has seen the woman who ...”

“... lonely schoolboy from Christ’s Hospital. Through his study of the scientific work, Levere joins William Empson among others in defending the coherence of Coleridge and his metaphysics. Coleridge’s vision of a ‘dynamic’ German philosophy, pitted against Anglo-Gallic reductionism; his flirtation with chemistry ‘to improve his stock of ...”

“... along with so many others in the September battle of the Somme – is written as clearly by the white sun on her face as if it had been worked there by a knife in marble. It is winter, and a protective wall behind Pamela hosts espaliered trees, apricot and peach. No shadows are visible, anywhere: the dark runnels of shade cast by the fake dovecote at the ...”

“... work. It is there in his remark that painting was a ‘science’, a loaded word at that date. William Whewell, prompted by Coleridge, coined the term ‘scientist’ in 1833, but before that there was, for most of Constable’s life, a free-flowing interchange between art and the ever expanding catch-all of ‘natural philosophy’. Luke Howard’s essay ...”

“... the simple life, it never quite chases the shadows of cruelty and corruption away, and what William Empson called the trick of simplification was always the thing. The mode kept remembering what it was ostensibly getting rid of. Charles Portis’s funny and violent novel True Grit (1968) is the perfect pastoral of the ungallant west. It presents a world ...”

“... spirits’ – the British-born painter Thomas Cole and the Romantic poet and newspaper editor William Cullen Bryant – whom he depicted contemplating a lushly idealised Catskills landscape of bluffs and waterfalls, their names inscribed like those of lovers on a nearby birch tree. Cole and Durand are reunited in an intimate exhibition of 25 Hudson River ...”