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“... terrible to her – exactly what isn’t yet clear. Parker and Barbara then go to an exhibition of Robert Mapplethorpe’s pictures (Parker hates them), to a restaurant (Parker throws up), and, the next evening, to a motel, where Barbara pretends to be a prostitute. The next time they indulge in some sexual role-playing in the same motel, Barbara dresses up as ...”

“... a ‘strong’ or ‘powerful’ state depends of course on how we understand these terms. Here Michael Mann’s distinction between ‘despotic’ and ‘infrastructural’ power is helpful, the former denoting an arbitrary power over civil society, the latter the power of state institutions to co-ordinate and regulate social life by working through civil ...”

“... trial. But his name comes in handily because it has been coupled with MacCaig’s. This was by Michael Schmidt, who pointed out that the sort of figurative writing associated with Raine, patented as ‘ludic’, had been practised by MacCaig from long ago. What Schmidt had in mind must have been something like ‘Running Bull’: All his weight’s ...”

“... don’t know exactly why, it probably alludes to the drama’s ritual, even sacrificial origins. Robert Cowan remarks that tragedy ‘was born under tyranny but flowered under democracy’, though Mitchell Greenberg notes that in the 17th century tragic theatre enjoyed a golden period in an age of political absolutism. It is also worth asking why the decline ...”

“... writings of the Church Fathers and biblical commentaries, he also had works by Edmund Spenser, Michael Drayton, Montaigne, Petrarch, Tasso and Boccaccio. The earl of Leicester’s library at Penshurst included books in many languages on the latest in beekeeping, drainage, poetry, forestry, military strategy, heraldry, optics and surgery.Sometimes a ...”

“... ranks of Conservative MPs and special advisers and in the Telegraph. The most famous of them is Michael Portillo, ironically the son of an émigré Spanish Republican, who found his way to the Conservative Party by way of Cowling’s teaching and patronage. For all his success as a guru of the right, in strictly party political terms Cowling is a flamboyant ...”

“... spare, usually shorn of adverbs and adjectives, and her plots were similarly unencumbered. When Michael Chabon decries the tyranny of the ‘contemporary, quotidian, plotless, moment-of-truth revelatory short story – a.k.a. the New Yorker short story’, it’s Taylor who is probably to blame. She thought that dramatic situations were unnecessary: normal ...”

“... marked between academics and curators who worked on premodern periods – the Renaissance expert Michael Baxandall, for example, was greatly respected in both worlds – and some curators of 20th-century art are much admired in the academy (the Museum of Modern Art in New York has had a string of such figures, from William Rubin to John Elderfield to Leah ...”

“... should be, that influence has occasioned remarkably little anxiety in the younger poets, such as Robert Crawford, Liz Lochead, W.N. Herbert, Kathleen Jamie and Jackie Kay, who have learned from him. In Edwin Morgan: Inventions of Modernity, Colin Nicholson tries to account for his many-sided subject by examining him facet by facet, but the result is rather ...”

“... wars’, so feminist writing about science seems to have attracted particular opprobrium. Michael Lynch, another contributor to The One Culture?, suggests that the debates about science should be seen not as a ‘war’ but rather as an adversarial legal dispute. It is a closer analogy, but not an entirely reassuring one. The rhetorical resources of ...”

“... from a Virginia plantation at about the age of ten and became the slave of the naval officer Michael Pascal – but his memories of growing up in a West African village are more suspect, as Taylor notes. It’s more likely he was born in America and knew Africa only at second hand. Both Equiano and Spavens fought in major actions in 1759, Britain’s ...”

“... rather detachedly the behaviour and motives of his fellow-lodger’. These words were penned by Robert Latham’s collaborator, William Matthews, who died in 1976. He was a scholar in the old style, not given to trendy assimilation of historic sources into the narratology of modern angst. But his effort to see the diary as something more than ...”

“... appeared confused, irritated or bored by him, classic reactions of age to the heroes of youth. Robert Carringer’s sharp-eyed, dispassionate post-mortem on what actually happened in the making of Kane, and Barbara Leaming’s almost embarrassingly intimate monitoring of the variations in the maker’s oft-told tales during what turned out to be the last ...”

“... yielded the poorest literature. With the exception of two lucid studies of its foundation, Robert Hildebrand’s Dumbarton Oaks (1990) and Stephen Schlesinger’s Act of Creation (2003), each the work of a serious diplomatic historian, little or nothing of analytic interest exists about the organisation, which has proved an intellectual sink-hole, down ...”

“... was never going to get out of the land of disgrace, as Densher was never going to make any money. Robert Pippin, in an excellent recent book called Henry James and Modern Moral Life, summarises these dilemmas starting from Densher’s point of view.3 Pippin says Densher can’t take the money because he can’t, in the end, act ‘as if no great moral ...”