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Jottings, Scraps and Doodles

Adam Shatz: Lévi-Strauss, 3 November 2011

Claude Levi-Strauss: The Poet in the Laboratory 
by Patrick Wilcken.
Bloomsbury, 375 pp., £30, November 2011, 978 0 7475 8362 2
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... suggestion of his employers he eventually adopted the ‘mutilated’ name Claude L. Strauss.) But Patrick Wilcken has set himself an unenviable task, because Lévi-Strauss was the embodiment of pudeur, an exaggerated, almost prudish sense of discretion. He was good at keeping secrets, and at dodging interviewers’ questions. (The interview, he said, was a ...

Air-Conditioned Unease

Andrew O’Hagan: Joan Didion on the Couch, 26 June 2025

Notes to John 
by Joan Didion.
Fourth Estate, 208 pp., £18.99, April, 978 0 00 876724 2
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Didion & Babitz 
by Lili Anolik.
Atlantic, 344 pp., £10.99, July, 978 1 80546 394 8
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The Friday Afternoon Club: A Family Memoir 
by Griffin Dunne.
Grove, 385 pp., £10.99, June 2024, 978 1 80471 057 9
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The Uptown Local: Joy, Death and Joan Didion 
by Cory Leadbeater.
Fleet, 213 pp., £12.99, June 2024, 978 0 349 12717 0
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... frequented by the Didion-Dunnes and was defended by an attorney hired by the restaurant. Patrick Terrail, its owner, sent an orchid to John and Joan at the time of the arrest, including a note that said, ‘My heart breaks for you.’ Nick saw it and interpreted it as a treasonable offence on the part of his brother and Didion, whom he ...

Conversions

Jonathan Coe, 13 September 1990

Symposium 
by Muriel Spark.
Constable, 192 pp., £11.95, September 1990, 0 09 469660 8
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The Inn at the Edge of the World 
by Alice Thomas Ellis.
Viking, 184 pp., £12.99, September 1990, 9780670832743
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... Supernatural or mystical elements in her books are typically associated with impostors like Patrick Seton in The Bachelors or Tom Wells in Robinson or Hector Bartlett in A Far Cry from Kensington. But for Alice Thomas Ellis faith is something nebulous and magical, it is God rather than man who moves in mysterious ways, and it’s all too easy to take ...

Dismantling the class war

Paul Addison, 25 July 1991

The Cambridge Social History of Britain, 1750-1950. Vol I.: Regions and Communities 
edited by F.M.L. Thompson.
Cambridge, 608 pp., June 1990, 0 521 25788 3
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The Cambridge Social History of Britain, 1750-1950. Vol II.: People and Their Environment 
edited by F.M.L. Thompson.
Cambridge, 392 pp., June 1990, 0 521 25789 1
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The Temper of the Times: British Society since World War Two 
by Bill Williamson.
Blackwell, 308 pp., £30, August 1990, 0 631 15919 3
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... is meaningless to describe them both as expressions of urban society. Class, too, is atomised in Patrick Joyce’s chapter on work. Labour historians have long assumed that 19th-century industry was a field of conflict between workers and employers in which the employers held the whip hand. Joyce turns this conception almost upside down. In his view, the ...

Ludic Cube

Angela Carter, 1 June 1989

Dictionary of the Khazars: A Lexicon Novel in 100,000 Words 
by Milorad Pavic, translated by Christina Pribicevic-Zoric.
Hamish Hamilton, 338 pp., £11.95, February 1989, 0 241 12658 4
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... as to be almost parodically fashionable, the perfect type of those Euro-best-sellers such as Patrick Susskind’s Perfume and Umberto Eco’s Name of the Rose that seem, to some British critics, to spring from an EEC conspiracy to thwart exports of genuine, wholesome, straightforward British fiction the same way French farmers block the entry of English ...

Retrochic

Keith Thomas, 20 April 1995

Theatres of Memory. Vol. I: Past and Present in Contemporary Culture 
by Raphael Samuel.
Verso, 479 pp., £18.95, February 1995, 0 86091 209 4
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... British heritage industry is a loathsome collection of theme parks and dead values.’ For Patrick Wright, it is ‘part of the self-fulfilling culture of national decline’. As their country’s importance in the world diminishes, the British turn to their past for emotional compensation. How long, asks Robert Hewison, will it be before the whole ...

Re-Readings

Chris Baldick, 10 November 1988

Poetry, Language and Politics 
by John Barrell.
Manchester, 174 pp., £21.50, May 1988, 0 7190 2441 2
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Garden – Nature – Language 
by Simon Pugh.
Manchester, 148 pp., £25, May 1988, 0 7190 2824 8
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Writing Ireland: Colonialism, Nationalism and Culture 
by David Cairns and Shaun Richards.
Manchester, 178 pp., £21.50, May 1988, 0 7190 2371 8
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The Shakespeare Myth 
edited by Graham Holderness.
Manchester, 215 pp., £25, May 1988, 0 7190 1488 3
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... approach the Revival and the Easter Rising, offering some fascinating pages on the immolation of Patrick Pearse. Dominating the book, not surprisingly, is the figure of Yeats, although these authors have succeeded here in turning back on its feet that inverted perspective of most British and American literary study which makes the Easter Rising a minor ...

Dun and Gum

Nicholas Jose: Murray Bail, 16 July 1998

Eucalyptus 
by Murray Bail.
Harvill, 264 pp., £12.99, July 1998, 1 86046 494 7
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... any remaining dun-coloured realism to a few pockets.’ ‘Dun-coloured realism’ derives from Patrick White’s contemptuous description of the local literary scene as he found it on his return from Europe in 1948. White – the only antipodean to join Proust and Kafka, Michel Tournier and Thomas Bernhard on Bail’s shelf of severe masters – is the big ...

Sweeno’s Beano

Nigel Wheale: MacSweeney, Kinsella and Harrison, 1 October 1998

The Book of Demons 
by Barry MacSweeney.
Bloodaxe, 109 pp., £7.95, September 1997, 1 85224 414 3
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Poems 1980-94 
by John Kinsella.
Bloodaxe, 352 pp., £9.95, April 1999, 1 85224 453 4
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The Silo: A Pastoral Symphony 
by John Kinsella.
Arc, 108 pp., £7.95, January 1997, 1 900072 12 2
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The Kangaroo Farm 
by Martin Harrison.
Paper Bark, 79 pp., £8.95, May 1998, 0 9586482 4 7
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... in Australia recall themes from the poets, novelists and painters of earlier decades, including Patrick White (Riders in the Chariot) and Sidney Nolan (the Ned Kelly series). The title-poem conjures with the idea of a bird species that may or may not exist – ‘If at all, then fringe dwellers/of the centre’, like poetry, an epiphenomenon of life in the ...

What a Lot of Parties

Christopher Hitchens: Diana Mosley, 30 September 1999

Diana Mosley: A Biography 
by Jan Dalley.
Faber, 297 pp., £20, October 1997, 0 571 14448 9
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... even now. The subject clearly fatigues and irritates her. A part of her, like the ghastly girl in Patrick Hamilton’s Hangover Square, was and is secretly gleeful about Fascism. Dalley describes as ‘unusual’ her attendance at a Hyde Park rally in 1935, where she threw up her right hand in a Nazi salute while Clement Attlee was addressing a mild-as-milk ...

The Art of Self-Defeat

Noël Annan, 19 July 1984

Faces of Philip: A Memoir of Philip Toynbee 
by Jessica Mitford.
Heinemann, 175 pp., £9.95, July 1984, 0 434 46802 9
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... with irrepressible Mitford brio. There’s a high-spirited acknowledgment of help received from Patrick Leigh-Fermor (easily the best of her correspondents) in removing from her MS such campus jargon as ‘on-going’, ‘explicate’ and ‘comedic scenarios’. I only wish he had cut out ‘long-remembered’ and ‘sadly missed’. What’s odd is how ...

Special Status

R.J. Berry, 21 February 1985

Report of the Committee of Inquiry into Human Fertilisation and Embryology 
HMSO, 103 pp., £6.40Show More
Human Procreation: Ethical Aspects of the New Techniques 
Oxford, 91 pp., £3.95, December 1984, 0 19 857608 0Show More
The Redundant Male 
by Jeremy Cherfas and John Gribbin.
Bodley Head, 197 pp., £9.95, May 1984, 9780370305233
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Begotten of Made? Human Procreation and Medical Technique 
by Oliver O’Donovan.
Oxford, 88 pp., £2.50, June 1984, 0 19 826678 2
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... dish. Moral or not? Legal or not? Playing God? Her existence was made possible by the work of Patrick Steptoe, a North Country obstetrician, and Bob Edwards, a Cambridge physiologist. In his 1983 Horizon Lecture on BBC Television, Edwards described their search for moral guidelines: We have looked for inspiration to ...

Davitt’s Part

Charles Townshend, 3 June 1982

Davitt and Irish Revolution 1846-1882 
by T.W. Moody.
Oxford, 674 pp., £22.50, April 1982, 9780198223825
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... Fenian rhetoric, is equally significant. His contact with the fierce US Fenian organisation, with Patrick Ford of the Irish World and above all with John Devoy, precipitated him into the ‘new departure’. Prison had probably prepared his mind to grasp the land issue; though many readers will be surprised by the clarity with which it emerges that Davitt did ...

How to vanish

Michael Dibdin, 23 April 1987

The Long Night of Francisco Sanctis 
by Humberto Costantini, translated by Norman Thomas di Giovanni.
Fontana, 193 pp., £3.50, January 1987, 0 00 654180 1
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Requiem for a Woman’s Soul 
by Omar Rivabella, translated by Paul Riviera.
Penguin, 116 pp., £2.95, February 1987, 0 14 009773 2
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Words in Commotion, and Other Stories 
by Tommaso Landolfi, translated by Ring Jordan and Lydia Jordan.
Viking, 273 pp., £10.95, February 1987, 0 670 80518 1
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The Literature Machine 
by Italo Calvino, translated by Patrick Creagh.
Secker, 341 pp., £16, April 1987, 0 436 08276 4
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The St Veronica Gig Stories 
by Jack Pulaski.
Zephyr, 170 pp., £10.95, December 1986, 0 939010 09 7
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Kate Vaiden 
by Reynolds Price.
Chatto, 306 pp., £10.95, February 1987, 0 7011 3203 5
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... To vanish from sight; be traceable no farther; cease to be present; be lost, especially without explanation.’ The verb in question normally behaves intransitively, but in Argentina after 1976 it learned to take a direct object as the military regime disappeared between nine and twenty thousand people. Humberto Costantini and Omar Rivabella both write about this, but their approach is so different that their books in fact complement each other ...

Out of the Closet

Richard Altick, 20 August 1981

The Private Case: An Annotated Bibliography of the Private Case Erotica Collection in the British Library 
by Patrick Kearney.
Jay Landesman, 354 pp., £45, July 1981, 0 905150 24 4
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... Erotica are the non-books of the bibliographical world. In most, if not all, of the standard records of book production and book possession their existence has gone unnoticed. They have seldom been recorded in the lists of books entered for copyright at the British Library or the Library of Congress, for the understandable reason that their secret publishers did not wish to bring them to any form of official attention ...

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