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“... So:​ the last London. It has to be said with a climbing inflection at the end. Every statement is provisional here. Nothing is fixed or grounded. Come back tomorrow and the British Museum will be an ice rink, a boutique hotel, a fashion hub. The familiar streets outside will have vanished into walls of curved glass and progressive holes in the ground ...”

“... delay. I hadn’t looked at the book in front of me in more than thirty years – Norman Mailer’s Miami and the Siege of Chicago, his two convention pieces from 1968 – and just as my phone began to buzz my eye landed on a sentence: ‘The reporter was a literary man – symbol had the power to push him into actions more heroic than himself.’I picked ...”

“... all meat v. no meat at all, GM v. organic, long haul v. local, dirty v. ‘environmental’ and so on; how we prepare a dish, how Heston Blumenthal does it. What makes these conversations possible is the abundance we’re now accustomed to: plenty is the medium in which our anxieties, our pleasures and even our ‘ethics’ thrive. ...”

“... meeting of the member states that fund and supervise the WHO. The opening session of this year’s assembly, forced online by the worldwide lockdown, was anchored from WHO headquarters in Geneva. We were led on a claustrophobic internet tour of ministerial offices and oppressively large desks in three dozen world capitals, some of the speeches crackling and ...”

“... of a wedge-shaped field of corn. He is leaning against some sort of natural cushion, and it’s possible he is asleep, though he has a large book open in front of him so perhaps it’s just that his eyes are cast down to scrutinise its pages. But that would be difficult since it is ...”

“... Lewis Theobald’s Double Falsehood had its premiere at the Theatre Royal on Drury Lane on 13 December 1727. It was a romantic tragicomedy in a Spanish setting; the story was from an episode in Don Quixote. Theobald’s statement that it met with ‘universal applause’ is untrue, but it certainly created a buzz ...”

“... in 1951 came with an author photo taking up the entire rear panel of the dustjacket: Salinger’s expression is amused, generous, even sweet; the chances are good that he picked the portrait out himself from a set taken by the photographer Lotte Jacobi the previous year. But when the time came for later printings, with copies flying off the shelves, he ...”

“... experts using sophisticated numerical methods in Cambridge and the strengths of computerisation. So we have chapters in which the figures of events and base population are built up, and then chapters in which social and economic conclusions, based on these figures, are worked out. The figures are tucked away into an enormous structure of appendices, 16 in ...”

“... Françoise​ Gilot wasn’t impressed when she first saw Guernica, aged 15, at the 1937 World’s Fair in Paris. She appreciated the painting as a political act, but ‘was not so crazy, aesthetically or technically, about Picasso’. Six years later, she spotted him across the tables of Le Catalan, a restaurant on the Left Bank, and was equally underwhelmed ...”

“... and Harold Bloom called it the most distinguished book of American poetry since Wallace Stevens’s Collected Poems came out in the mid-1950s. It was ‘a major imaginative event’, John Hollander said, and John Ashbery – in his first piece for the New York Review of Books – hailed Ammons as an ‘American original’. ‘I was born big and jaundiced ...”

“... Open Frank O’Hara’s Collected Poems at random, somewhere in the middle, and you may get what looks like a Post-It note to a friend, or versified notes on a Jackson Pollock painting, a James Dean movie or ‘the music of Adolphe Deutsch’. You may also get one of many enticing, informal, secretly-complex poems that sound like nobody else ever has: How can you start hating me when I’m so comfortable in your raincoat the apples kept bumping off the old gnarled banged-up biddy-assed tree and I kept ducking and hugging and bobbing as if you were a tub of water on Hallowe’en it was fun but you threw yourself into reverse like a tractor hugging the ground in spring that was nice too more rain more raincoat                                  (‘Adventures In Living’) Who was O’Hara, and how did he learn to write like that? Born in 1926, he grew up in small towns in Massachusetts, studied piano seriously throughout high school and served in the Navy at the close of World War II ...”

“... to imagine as a child. Nobody, surely, can have that problem with Boris Johnson. The mind’s eye sees Boris as one of Belloc’s Cautionary Tales, a bouncy fellow demanding his tea and laying plans ‘to be/the next Prime Minister but three’. But the mind’s eye can be wrong ...”

“... much,’ she says, opening her thumb and forefinger as wide as they will go.) The community’s point of reference is still Brighton Beach, where you won’t get far without Russian, but ‘Little Russia’ is taking over neighbouring areas and has outgrown the old image of greasy pirozhki stalls, pensioners playing chess on the boardwalk and tacky rag ...”

“... least, construction is irreversibly underway, despite general indignation over the disruption it’s caused and who stands to benefit most from it – the City. By 2018, 21 km of tunnel will have been dug, linking the Great Western line at Paddington to the Great Eastern at Whitechapel. We’ll have spent £15 billion, we’ll have seven new London train ...”

“... The​ early entries in Jean Lucey Pratt’s journals brought to mind Cecily’s diary in The Importance of Being Earnest, where Wilde sends up, among other things, the predictable script of boy meets girl. Long before she knows Algernon, Cecily has charted the progress of their romance in her diary, but when they meet, and Algernon falls instantly in love as planned, Cecily won’t let him read it: ‘Oh no ...”