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“... in The Art of Edward Thomas open out the issues, but a whiff of poet’s corner lingers on. Pace Peter Levi, it is not quite enough to celebrate Thomas as ‘certainly genuine, authentic, a true poet’. Under Storm’s Wing is a welcome reprint of Helen Thomas’s As it was and World without End, first published in 1926 and 1931. It also contains a ...”

“... this revisionist direction was taken in 1961 by the professional adviser to Magnusson’s series, Peter Sawyer. His The Age of the Vikings, one of the few recent studies not reissued this year, was a brilliant essay whose basic purpose was to explain the Viking explosion by arguing that there was nothing very exceptional about it. The Vikings were warrior ...”

“... Dickens biography that descends through Thomas Wright and Katherine Longley to our contemporaries Peter Ackroyd and Claire Tomalin. In his chapter on James Joyce Hamilton dwells exclusively on the author’s ‘patron saint’, Harriet Weaver. Surprisingly – for a study whose main concern is the suppression or revelation of intimate materials – he does ...”

“... real target. For O’Toole’s linguistic psycho-genealogy is only a prelude to his Oedipal reading of the roots of the plays which goes way beyond young Sheridan’s entrapment ‘inside his father’s linguistic obsessions’. So, in The Rivals, the tempestuous relationship between the swashbuckling Jack Absolute and his irascible father is of course ...”

“... as he examines the music with scrupulous care, bar by bar. His prose is technical but never dry. Reading his commentary on the B major fugue from Book I of the ‘48’, for instance, made me think anew about the way the subject rises, falls and rises again to a higher note, and how this contour is mirrored in the progress of the fugue, so that the highest ...”

“... citizen, described by Robert Fagles as ‘arguably the finest Classicist of our day’, by Peter Green as one his nation ‘ought to bronze’, and by Jasper Griffin as a man ‘one would like to have as a friend’. In his long career he has written on many subjects: scholarly articles on the heroes of Attic drama in its golden age, unsentimental ...”

“... promising to correct it. Perhaps name changes are of more general interest. In Decline and Fall Peter Chetwynde started without a Best and Dr Benito, the press secretary in Scoop, was originally Bonham Carter Jackson. Brideshead is much altered. Charles Ryder began as Peter Fenwick and was then in Debrett, the second son ...”

“... why Lord and Lady Wilde paid those school fees. Merlin Holland’s essay on his grandfather in Peter Raby’s Cambridge Companion to Oscar Wilde illuminates these appropriations by charting a series of significant errors through multiple versions of Wilde’s history. Holland takes us back to one of the most familiar scenes from the life of Wilde: the bad ...”

“... apocalypses in the New Testament (and therefore not accepted as such by all Biblical scholars) is Peter’s vision in Acts. Falling into a trance on the roof of a house, Peter sees the sky open up and a great sheet being lowered down. In it are animals of every possible sort, ‘whatever walks or crawls or flies’. A voice ...”

“... from tabloid libraries: Freddie Mills posing in his trunks (low angle, hard shadows), the murdered Peter Arne (in a blizzard of newsprint dots), Charles Hawtrey having a very bad hair day after a house fire in Deal. Seabrook loves the reforgotten, the misrepresented. None of his heroes will be acknowledged in The Oxford Companion to English Literature ...”

“... the emissary of light who discovers the ancient darkness in himself – or in the less primitivist reading the novella also allows, discovers that within himself there is nothing at all, that he is entirely hollow, has no interior. His last words, ‘The horror! The horror!’ could refer to either condition, and to many other conditions as well. And if ...”

“... as in Eisenhower’s America, but dull nonetheless, not to mention smug. It is not surprising that Peter Hennessy should call his monumental history Having It So Good, nor that Dominic Sandbrook should call his equally monumental recent history of the late 1950s and early 1960s Never Had It So Good. This neatly illustrates the drawback of ...”

“... work by which he is – invisibly – best known to modern popular culture outside Russia, via the Peter Shaffer play it inspired, Amadeus, rendered onto the big screen by Miloš Forman. In Mikhailovskoye, as well as parts of Eugene Onegin, Pushkin wrote the historical drama Boris Godunov, finished the long poem The Gypsies, wrote the prologue to his first ...”

“... plays such a large part in Lynch’s scheme; and why the film’s great set piece involves Watts reading for a part in a film. The same sense of deception and truth preying on each other governs the photography (by Peter Deming). We see pieces of a world or a person, corners of rooms, gardens full of ferns, characters ...”

“... that knows it’s not a biography but a picture. It looks wonderful – the cinematographer is Peter Suschitzky – but this only makes it feel more like a movie. The voices are a clue as well. Michael Fassbender as Jung and Viggo Mortensen as Freud speak with flawless English accents, as does Sarah Gadon as Emma, Jung’s all too perfect wife. Knightley ...”