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“... sitting on a park bench, wearing a flat cap and a raincoat buttoned up to the neck, listening to Peter Cook. I was drawn in, however, almost against my will. Cathcart points out that we are less interested in the weather than we are supposed to be. While British people do talk about the weather, he says, that does not mean they care about it. I think it goes ...”

“... were made to help as many as possible readjust to their new lives. There were success stories: Peter Lorre and Billy Wilder roomed together to save money before breaking into Hollywood. Those who encountered mere indifference or who had to take jobs well below their professional competence were also by and large the lucky ones. The House Committee on ...”

“... Kirstein’s report on his conducting of Tchaikovsky’s Sleeping Beauty and Swan Lake at the New York Met in 1949: ‘Marvellous music, exquisitely played by Lambert, a divine conductor, the greatest ballet man in the business.’ Lambert had ‘a genius for tempi,’ Kirstein thought, ‘absolutely on the note in every variation; no boring bits; and he ...”

“... islet is crammed with men: Chief Vorstenbosch, Deputy Melchior van Cleef, Dr Marinus, Senior Clerk Peter Fischer, Junior Clerk Ponke Ouwehand, Arie Grote, Piet Baert, Ivo Oost, Wybo Gerritszoon. Their conversation is as cacophonous as their names. For instance: ‘most of us hands gather of an evenin’ in my humble billet, eh, for a little hazard ...”

“... Transposition of what? Foster begins his book with the pronouncement of the architects Alison and Peter Smithson: ‘Today we collect ads.’ For the first Pop artists this was an article of faith. Avid bottom-feeders, they scraped up regular doses of tabloid violence and pulp pornography, raiding the corner shop for its comic books and scouring flea markets ...”

“... in 1936, I saw that mightiest of zeppelins, the Hindenburg, floating above the skyscrapers of New York – a leviathan nearly as long as the Titanic, and as ill-starred. If Dr Goebbels had had his way the Hindenburg would have been called the ‘Hitler’ and would have borne an enormous swastika on its side, but Hugo Eckener, the man who gave substance to ...”

“... soon as it was clear that the unthinkable had become a cold reality, Paul Krugman asked in the New York Times whether the US was now a failed state. Political scientists who normally study American democracy in splendid isolation are starting to turn their attention to Africa and Latin America. They want to know what happens when authoritarians win elections ...”

“... initiated by Suu Kyi, and obediently agreed by the NLD executive, has been just as unexpected. Peter Popham’s life of Aung San Suu Kyi is gripping, partisan and emotional, a welcome complement to the only other serious biography in English, Justin Wintle’s assiduously comprehensive Perfect Hostage. It contains fascinating new material and ...”

“... until they form a single unit, set square to the prevailing on-shore winds. The occupier, New York-born to a childhood in John Cheever commuting country, now reinvented as a Vietnam-vintage Irish citizen, removes all the offending oil paintings from the wall: jewelled landscapes in oil; lively, naive renderings of the headland on which the cottages have ...”

“... is finding out about them. Final Exit, like Spycatcher, is a best-seller in America. Like Peter Wright, Derek Humphry is a renegade Briton. He admits to having ‘assisted’ three of his loved ones exit: under British law he is a serial killer. Humphry confessed to his part in the suicide of his first wife Jean in his biography of her, published in ...”

“... in November 1949. A stop in London with relatives was still all German, as were a few weeks in New York. My mother’s brother – my Onkel Otto – and his wife lived in Manhattan near Fort Tryon Park, in the middle of a German-Jewish ghetto. Later, when we had settled in West Virginia, my mother visited them periodically and came back complaining how insular ...”

“... members of the family who sympathised with her parents’ politics, has long made her home in New York. Her account of her childhood and of Lucan’s character is balanced, regretful and affectionate. Through her eyes the man begins to emerge from behind the cardboard cut-out, and it is her recollections and those of Lucan’s unnamed schoolfriend, who had ...”

“... time at the Trafalgar Studios. I saw the first production at Wyndham’s in 1964 with Madge Ryan, Peter Vaughan and Dudley Sutton. Good in the part Sutton was already too old, as have been most of the actors who’ve played in it since. It’s a play I would dearly like to have written, though these days for it to retain its shock value the young man should ...”

“... certainly fed into Schoenberg’s next major work, the oratorio Gurrelieder, a setting of Jens Peter Jacobsen’s tale of the Danish king Waldemar’s love for his mistress Tove. In November 1901, Schoenberg moved to Berlin to take up the post of musical director at the Buntes Theatre, one of the city’s most fashionable cabaret venues. It was a ...”

“... uncompromising and deeply protective. She shied away from the lens, her most recent biographer, Peter Kurth, explains, because ‘she could make no natural motion while posing for the camera.’ Natural motion – as opposed to the engraved arcs and acrobatic tricks of classical ballet, the swooning decadence of the waltz or the silliness of social dancing ...”