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“... in only four years: ‘The bodies, now mumia, had been those of slaves and other dead persons, young and old, male and female, which he had indiscriminately collected.’ In 1546 the German physician Leonhard Fuchs still regarded this new form of mummy as disreputable, complaining of ‘the gory matter of cadavers received evidently from the gallows or ...”

“... and his ‘fidgety ghost’ – the phrase comes from one of his Pericles-inspired poems, ‘Young Prince of Tyre’ – still haunts Australian poetry. One pictures the poet lugging a battered second-hand typewriter from flea-pit hotels to temporary lodgings, watching through sleepless mosquito-plagued nights (‘Now/Have I found you, my ...”

“... Jill Saward’s ghost writer, Wendy Green, has done this ingenuous or idealistic or immature young woman – she presents herself as all three – the service of finding a flat, uniform and very nearly monotonous style to describe the lunchtime nightmare of 6 March 1986. It’s a style which perfectly suits the banality of evil, and such is its economy ...”

“... Tiepolo,’ Svetlana Alpers and Michael Baxandall write, ‘is not a difficult painter. He is accessible and easy to like.’ Well, up to a point. For example, while I did not find the Tiepolos in the Royal Academy’s exhibition of 18th-century Venetian art ‘difficult’ in any obvious way, I did not find them ‘easy to like’ either ...”

“... Jerry says, as Joe drags him out the door. More recently, in Entourage, the HBO series about a young movie star and his gang, we see how the agent-as-harbinger-of-comic-confusion has become, in the modern era, the agent-as-conductor-of-cosmic-chaos. In Series Two, our young actor, a Hispanic on the brink of ...”

“... for Roubiliac’s statue of Newton ‘voyaging through strange seas of thought, alone’; Newton a young man and unwigged so that his head seems quite small and (appropriately) apple-like. We buy a luminous blue and white Victorian tile at Gabor Cossa which one of the partners thinks is William de Morgan but isn’t and then cross the road to the ...”

“... Michael Reynolds is the marrying kind of biographer: president of the Hemingway Society, he has published a 140-page annotated chronology of Hemingway’s life, a 2300-item inventory of Hemingway’s reading, and a monograph-length study of the creation of A Farewell to Arms, as well as three serial volumes of biography: The Young Hemingway (1986); Hemingway: The Paris Years (1989); and Hemingway: The American Homecoming (1992 ...”

“... threatening to turn even Gandhi into an also-ran. Meanwhile, he makes a cameo appearance in Michael Dobbs’s new Good-fellowe thriller, which revolves around the hunt for his next incarnation in London. The Chinese villains are as dastardly as one might wish from HarperCollins, as sinister as the Manchu embassy officials who in 1896 kidnapped the ...”

“... At the centre of Michael Cunningham’s new novel, in the second of its three tales, Cat, a black woman police investigator in New York, has the job of receiving and recording the calls of people threatening to blow themselves and others to pieces. Only because these deranged stories have become too familiar does she miss the one who really means it, a young boy, who, without forewarning or apparent motive, goes up to a stranger in Central Park, embraces him and explodes ...”

“... sort of funny entertainment’. Rock’n’roll as modern vaudeville: I doubt the precious George Michael would agree. On the cover of I was a teenage Sex Pistol Matlock peeps cagily over his shades at you; Bare has George in one of his standard-issue moody pouts. I take it the title connotes the craven exposure of the most secret soul: risky – this risibly ...”

“... reads like the cast-list of some bizarre Antipodean soap: Allan Stewart, wielder of the pick-axe; Michael Mates, sender of the famous watch; Norman Lamont, evictor (with some help from the tax-payer) of the tenant with too colourful a professional life; Patrick Nicholls, suspected drunk driver; Nicholas Ridley, too loquacious an advocate of anti-German ...”

“... Presidential campaign in Philadelphia, Mississippi, where the civil rights workers James Chaney, Michael Schwerner and Andrew Goodman were murdered in 1964. The American Century details J. Edgar Hoover’s personal and the FBI’s institutional linking of white supremacist and anti-Communist hysterias, to which America’s national police devoted far more ...”

“... inside flap of the jacket, the publishers were giving away too many clues. The drawing showed the young man whom Mr Pennington describes in his Introduction as having the ‘slight irregularity of face that women find handsome, especially when matched with blond hair and blue eyes’. The photograph of Mr Pennington revealed a dark-bearded, middle-aged man ...”

“... life he had had, what kind of person he was. You lose the pattern, losing a parent when you’re young. I also felt the wish to speak to him or in some way to have a relationship with him. And those poems probably come from an impulse of that sort, from the delayed pain or loss.Were you close to your siblings, not necessarily as a consequence of this, but ...”

“... and many legal theorists believe it is. A literate Martian, for example, would not believe that Michael Zander was writing about the same society as Paddy Hillyard and Janie Percy-Smith, and at the same period of time. There is simply no space in Zander’s world-picture for the possibility that ours is a coercive state or that democracy is in decline here ...”