Standing up to the city slickers
C.K. Stead, 18 February 1988
“... and profits by what has been done in a variety of schools and by a number of very different masters. He describes his own procedure as ‘trying to make not so much “high” as rich and flexible art out of traditional and vernacular materials.’ He is also, no doubt, describing his own style when he writes that ‘the central and best tendency of ... ”