Realty Meltdown

Geoff Dyer, 24 August 1995

Independence Day 
by Richard Ford.
Harvill, 451 pp., £14.99, July 1995, 1 86046 020 8
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... Richard Ford’s narrator, Frank Bascombe, quit serious writing to become a sports-writer. This was the making of Ford. It wasn’t until he became Bascombe, the sportswriter, that Ford turned himself into a major novelist. At odd moments in The Sportswriter, Frank looks back on his abandoned literary career. He had published a ‘promising’ collection of stories, Blue Autumn, and had then started on a novel which he never finished ...

Suicide by Mouth

Deborah Friedell: Richard Price, 17 July 2008

Lush Life 
by Richard Price.
Bloomsbury, 455 pp., £12.99, August 2008, 978 0 7475 9601 1
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... to the joy of seeing the teacher in the grocery store, with no more authority than anyone else. Richard Price wrote the scene for his novel Clockers, and reused it in an episode of the television show The Wire. It’s fine as written, but better on TV, with everything expressed by the quiet way one of the dealers asks, ‘Y’all go to the movies?’ and ...

Finding out about things

Alan Bell, 18 December 1980

Montague Rhodes James 
by Richard William Pfaff.
Scolar, 438 pp., £15, May 1980, 0 85967 554 8
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... ghost stories are aware that they are being addressed by a man of much recondite learning, but it may not be apparent that the author is treating them to the recreations of one of the most learned men European scholarship has ever known. Even modern practitioners in one of James’s specialities will only be vaguely aware of his eminence in others, and an ...

Matters of Taste

Peter Graham, 4 December 1986

On Food and Cooking: The Science and Lore of the Kitchen 
by Harold McGee.
Allen and Unwin, 684 pp., £20, September 1986, 9780043060032
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The French Menu Cookbook 
by Richard Olney.
Dorling Kindersley, 294 pp., £12.95, September 1986, 0 86318 181 3
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Out to Lunch 
by Paul Levy.
Chatto, 240 pp., £10.95, November 1986, 0 7011 3091 1
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The Good Food Guide 1987 
edited by Drew Smith.
Consumers’ Association/Hodder, 725 pp., £9.95, November 1986, 0 340 39600 8
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... eat them, at which moment they are both tasted and smelled, via the back of the mouth? The answer may be partly psychological. Psychology does not seem to be McGee’s strong point: ‘If we eat half as many calories [by eating fructose instead of sucrose], we simply get hungry earlier’ begs a lot of questions. He will probably come up with more answers in ...

I am disorder

Michael Wood, 19 October 1995

Sabbath’s Theater 
by Philip Roth.
Cape, 451 pp., £15.99, October 1995, 0 224 03814 1
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... Who could have invented Eisenhower, he asked, and no sooner had he invented a caricature of Richard Nixon in Our Gang than Nixon turned out to be caricaturing himself in the same way, locker-room slang and all. ‘No a man’s character isn’t his fate,’ Roth writes in Operation Shylock: ‘a man’s fate is the joke that his life plays on his ...

Anthropology as it should be

Robin Fox: Colin Turnbull, 9 August 2001

In the Arms of Africa: The Life of Colin Turnbull 
by Roy Richard Grinker.
St Martin’s, 354 pp., £19.75, August 2000, 0 312 22946 1
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... of white racism was already on its way to becoming gospel. But Turnbull called it as he saw it; he may have been wrong, he was certainly subjective, judgmental and naive. His personal life (as we say) added to the myth of the handsome, charming hero. He was born in 1924, the child of a distant Scottish father and an eccentric Irish mother, who, despite being ...

Magnificent Pratfalls

Mike Jay: Ballooning’s Golden Age, 8 August 2013

Falling Upwards: How We Took to the Air 
by Richard Holmes.
William Collins, 404 pp., £25, April 2013, 978 0 00 738692 5
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... Hits Iceberg’, the balloon is still an object of inexhaustible rhetorical possibility. As Richard Holmes observes early in Falling Upwards, ‘all balloon flights are naturally three-act dramas’: the launch, the flight and the landing replicate the stages of every journey or human relationship – a set of parallels most recently and memorably ...

70 Centimetres and Rising

John Whitfield: Plate tectonics, 3 February 2005

The Earth: An Intimate History 
by Richard Fortey.
Harper Perennial, 501 pp., £9.99, March 2005, 0 00 655137 8
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... explain the Earth’s structure and movement, and turned continental drift into plate tectonics. Richard Fortey witnessed some of the ferment first-hand while studying for a PhD in palaeontology at Cambridge, and in the 1980s, he used the distribution of trilobite fossils from half a billion years ago to work out the positions of some of the land masses ...

Short Cuts

Jenny Diski: Mary Whitehouse’s Letters, 20 December 2012

... fucked-up teenager who despised everything she and her chip-off-the-old-block, conformist, Cliff-Richard-adoring teenage daughter smugly stood for. I do see how awful it was for her, but I hate her, still and nevertheless.She was more or less out of my life by 1962, but the ‘ordinary provincial English housewife’ pattern, which I hadn’t come across ...

Short Cuts

Tom Crewe: The State of Statuary, 21 September 2017

... when you begin to look at them properly that they seem stranded, shipwrecked by history. ‘Age may not weary them,’ Geoff Dyer has written of the army of bronze soldiers on permanent guard at First World War memorials, ‘but … powerless to protect themselves, their only defence, like that of the blind, is our respect.’ Putting aside, for a ...

At the British Museum

Vivien Bird: Richard Payne Knight’s Bequest, 11 September 2025

... shaped by the scholarly collectors among its trustees. Of those, perhaps the most significant was Richard Payne Knight (1751-1824), who not only played a role in the museum’s acquisition of Charles Townley’s collection of sculpture and antiquities, but also bequeathed his own collection of Greek coins, ancient bronzes, gems, vases and Old Master and ...

His Eggs

Tim Souster, 26 March 1992

Stockhausen: A Biography 
by Michael Kurtz, translated by Richard Toop.
Faber, 259 pp., £25, March 1992, 0 571 14323 7
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... emerges clearly from Michael Kurtz’s biography which appears in an excellent translation by Richard Toop. Kurtz records meticulously the genesis of all KS’s works to date and gives details of his global concert-giving activity. We may not be as aware of this in the UK now as we were twenty years ago. But he still ...
Wagner in Performance 
edited by Barry Millington and Stewart Spencer.
Yale, 214 pp., £19.95, July 1992, 0 300 05718 0
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Wagner: Race and Revolution 
by Paul Lawrence Rose.
Faber, 304 pp., £20, June 1992, 9780571164653
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Wagner Handbook 
edited by Ulrich Müller and Peter Wapnewski, translated by John Deathridge.
Harvard, 711 pp., £27.50, October 1992, 0 674 94530 1
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Richard Wagner’s Visit to Rossini and An Evening at Rossini’s in Beau-Séjour 
by Edmond Michotte, translated by Herbert Weinstock.
Quartet, 144 pp., £12.95, November 1992, 9780704370319
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... held court alone, as Syberberg’s chilling cinematic portrait of her attests. Hitler and Richard Strauss, Toscanini and Houston Stewart Chamberlain came there, as well as a whole host of lesser figures, sycophants, geniuses, philosophers, charlatans, and professional Wagnerians of every stripe and calibre.One says all this about the bewildering ...

Let’s eat badly

William Davies: Irrationality and its Other, 5 December 2019

Irrationality: A History of the Dark Side of Reason 
by Justin E.H. Smith.
Princeton, 344 pp., £25, April 2019, 978 0 691 17867 7
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... the only ones hungry for these insights. The popularisation of behavioural economics was led by Richard Thaler and Cass Sunstein’s book Nudge (2008), which inspired the setting-up of ‘behavioural insights’ teams in governments around the world (with Cameron’s coalition government at the forefront), and has nurtured a view of policy that is attentive ...

The man whose portrait they painted

Patrick Procktor, 12 July 1990

A Life with Food 
by Peter Langan and Brian Sewell.
Bloomsbury, 128 pp., £16.99, May 1990, 9780747502203
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... as the only man who sees. Hence his apparent meekness towards the artist, the hungry artist, we may add, which was noted by Brian Sewell when he and Peter went to David Hockney’s studio. His behaviour and utterance were always colourful, and artists warmed to him, as did taxi-drivers, policemen and women. He once said to me: ‘Patrick, you’ve got a ...